{"title":"Strobes \u0026 Effect Lights","description":"\u003cp\u003eStrobes, derby effects, bee-eye looks, and retro lamps for high-energy lighting moments.\u003c\/p\u003e","products":[{"product_id":"surgefx-sf-dl2000-derby-light","title":"SurgeFX SF-DL2000 Derby Light","description":"\u003cstyle\u003e\n\/* ============================================\n SURGEFX RESPONSIVE TABS\/ACCORDION HYBRID\n ============================================ *\/\n\n.surgefx-product-info {\n margin: 24px 0;\n font-family: inherit;\n}\n\n.surgefx-intro {\n margin-bottom: 24px;\n line-height: 1.7;\n}\n\n.surgefx-tagline {\n font-size: 1.15em;\n font-weight: 700;\n color: #000000;\n margin-bottom: 16px;\n letter-spacing: 0.5px;\n}\n\n.surgefx-product-info h4 {\n color: #1a1a1a !important;\n margin: 24px 0 12px 0;\n font-size: 1.05em;\n font-weight: 700;\n padding-bottom: 8px;\n border-bottom: 2px solid #00d1b2;\n display: inline-block;\n}\n\n.surgefx-product-info h4:first-child {\n margin-top: 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0;\n pointer-events: none;\n}\n\n.surgefx-tabs-nav {\n display: flex !important;\n flex-direction: row !important;\n flex-wrap: nowrap !important;\n gap: 0;\n margin: 0;\n padding: 0;\n list-style: none;\n background: linear-gradient(180deg, #1a1a1a 0%, #2d2d2d 100%);\n border-radius: 10px 10px 0 0;\n overflow: hidden;\n}\n\n.surgefx-tabs-nav label {\n flex: 1;\n display: block !important;\n padding: 16px 10px;\n cursor: pointer;\n font-weight: 600;\n font-size: 0.85em;\n color: #999;\n background: transparent;\n border: none;\n border-right: 1px solid #3a3a3a;\n margin: 0;\n transition: all 0.25s ease;\n white-space: nowrap;\n text-align: center;\n position: relative;\n}\n\n.surgefx-tabs-nav label:last-child {\n border-right: none;\n}\n\n.surgefx-tabs-nav label:hover {\n color: #00d1b2;\n background: rgba(0, 209, 178, 0.1);\n}\n\n#tab1:checked ~ .surgefx-tabs-nav label[for=\"tab1\"],\n#tab2:checked ~ .surgefx-tabs-nav label[for=\"tab2\"],\n#tab3:checked ~ .surgefx-tabs-nav 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0, 0.08);\n}\n\n#tab1:checked ~ .surgefx-tabs-panels .content-1,\n#tab2:checked ~ .surgefx-tabs-panels .content-2,\n#tab3:checked ~ .surgefx-tabs-panels .content-3,\n#tab4:checked ~ .surgefx-tabs-panels .content-4,\n#tab5:checked ~ .surgefx-tabs-panels .content-5 {\n display: block;\n}\n\n\/* ============================================\n MOBILE: ACCORDION\n ============================================ *\/\n.surgefx-accordion {\n display: none;\n}\n\n.surgefx-accordion details {\n border: 1px solid #e0e0e0;\n border-radius: 8px;\n margin-bottom: 8px;\n overflow: hidden;\n box-shadow: 0 1px 4px rgba(0, 0, 0, 0.04);\n}\n\n.surgefx-accordion summary {\n padding: 16px 20px;\n font-weight: 700;\n font-size: 0.95em;\n cursor: pointer;\n background: linear-gradient(180deg, #1a1a1a 0%, #2d2d2d 100%);\n color: #00d1b2;\n list-style: none;\n display: flex;\n justify-content: space-between;\n align-items: center;\n user-select: none;\n}\n\n.surgefx-accordion summary::-webkit-details-marker {\n display: none;\n}\n\n.surgefx-accordion summary::after {\n content: \"+\";\n font-size: 1.3em;\n font-weight: 300;\n transition: transform 0.2s;\n}\n\n.surgefx-accordion details[open] summary::after {\n content: \"−\";\n}\n\n.surgefx-accordion .accordion-content {\n padding: 20px;\n background: linear-gradient(180deg, #f8f9fa 0%, #ffffff 100%);\n line-height: 1.7;\n}\n\n\/* ============================================\n RESPONSIVE BREAKPOINT\n ============================================ *\/\n@media (max-width: 768px) {\n .surgefx-tabs {\n display: none !important;\n }\n .surgefx-accordion {\n display: block !important;\n }\n}\n\u003c\/style\u003e\n\n\u003cdiv class=\"surgefx-product-info\"\u003e\n\n \u003cdiv class=\"surgefx-intro\"\u003e\n \u003cdiv class=\"surgefx-tagline\"\u003e2×10W RGBW LED + RED\/GREEN LASERS. BUTTERFLY BEAM EFFECT. 8CH DMX. ~30W. PLUG AND PLAY.\u003c\/div\u003e\n \u003cp\u003eThe \u003cstrong\u003eSF-DL2000\u003c\/strong\u003e is a \u003cstrong\u003eLED + laser hybrid derby light\u003c\/strong\u003e — a compact effect fixture that combines \u003cstrong\u003e2×10W RGBW 4-in-1 LED butterfly beams\u003c\/strong\u003e with \u003cstrong\u003ered and green laser patterns\u003c\/strong\u003e in a single unit. The LED section projects wide-angle \u003cstrong\u003emulti-color butterfly beams\u003c\/strong\u003e — sweeping, overlapping shafts of RGBW light that fan across the room through an internal lens system. The laser section projects \u003cstrong\u003ered (100mW) and green (30mW) patterns\u003c\/strong\u003e — dots, starfields, and geometric shapes that overlay the LED beams for a layered, multi-effect light show from one fixture. \u003cstrong\u003e8-channel DMX\u003c\/strong\u003e with \u003cstrong\u003esound-active, auto-run, and master\/slave\u003c\/strong\u003e modes. \u003cstrong\u003e~30W total power\u003c\/strong\u003e. Lightweight, compact, indoor use. Two different light sources, two different effect types, one fixture.\u003c\/p\u003e\n \u003c\/div\u003e\n\n \u003c!-- ============================================\n DESKTOP TABS\n ============================================ --\u003e\n \u003cdiv class=\"surgefx-tabs\"\u003e\n \u003cinput type=\"radio\" name=\"tabs\" id=\"tab1\" checked\u003e\n \u003cinput type=\"radio\" name=\"tabs\" id=\"tab2\"\u003e\n \u003cinput type=\"radio\" name=\"tabs\" id=\"tab3\"\u003e\n \u003cinput type=\"radio\" name=\"tabs\" id=\"tab4\"\u003e\n \u003cinput type=\"radio\" name=\"tabs\" id=\"tab5\"\u003e\n\n \u003cdiv class=\"surgefx-tabs-nav\"\u003e\n \u003clabel for=\"tab1\"\u003e💡 Overview\u003c\/label\u003e\n \u003clabel for=\"tab2\"\u003e🎨 Light \u0026amp; Effects\u003c\/label\u003e\n \u003clabel for=\"tab3\"\u003e📐 Full Specs\u003c\/label\u003e\n \u003clabel for=\"tab4\"\u003e🎛️ DMX \u0026amp; Control\u003c\/label\u003e\n \u003clabel for=\"tab5\"\u003e❓ FAQ \u0026amp; Tips\u003c\/label\u003e\n \u003c\/div\u003e\n\n \u003cdiv class=\"surgefx-tabs-panels\"\u003e\n\n \u003c!-- TAB 1: OVERVIEW --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-1\"\u003e\n \u003ch4\u003eWhat the SF-DL2000 Is\u003c\/h4\u003e\n \u003cp\u003eThe SF-DL2000 is a \u003cstrong\u003ederby effect light\u003c\/strong\u003e — sometimes called a butterfly light — that combines two separate light sources into one fixture. The \u003cstrong\u003eLED section\u003c\/strong\u003e uses 2×10W RGBW 4-in-1 LEDs behind a multi-faceted lens system to project wide-angle beams that sweep, fan, and overlap across walls, floors, and ceilings. The \u003cstrong\u003elaser section\u003c\/strong\u003e projects red and green patterns — pinpoint dots, starfield effects, and geometric shapes — on top of the LED beams. The combined result is a \u003cstrong\u003elayered, multi-texture effect\u003c\/strong\u003e that fills a room with both broad colored sweeps and sharp laser accents simultaneously.\u003c\/p\u003e\n\n \u003cp\u003eThis is not a wash light (it doesn't produce even, flat coverage) and it's not a beam light (it doesn't project a single concentrated shaft). A derby light is a \u003cstrong\u003epattern and effect fixture\u003c\/strong\u003e — it creates visual motion, texture, and energy across a wide area. The beams move and change through the internal lens\/mirror system, creating the \"butterfly\" effect: symmetrical, wing-like beam patterns that sweep outward from the center of the fixture.\u003c\/p\u003e\n\n \u003ch4\u003eLED + Laser — Two Different Effects\u003c\/h4\u003e\n \u003cp\u003eThe two light sources in the SF-DL2000 serve different visual roles:\u003c\/p\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003eRGBW LEDs (butterfly beams)\u003c\/strong\u003e — Broad, colorful, sweeping beams that cover large areas. These create the primary visual energy of the fixture — wide swaths of red, green, blue, white, and mixed colors that move and overlap across the room. The effect is bold, colorful, and fills space.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eRed + green lasers (pattern overlay)\u003c\/strong\u003e — Sharp, precise, pinpoint patterns that project on top of the LED beams. Laser dots and shapes are thin, defined, and high-contrast. They add visual detail and complexity — starfields of tiny dots, geometric shapes, and crisp lines that the broad LED beams can't produce on their own.\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003cp\u003eTogether, the two sources create more visual depth than either one alone. The LEDs provide color and energy; the lasers provide sharpness and texture.\u003c\/p\u003e\n\n \u003ch4\u003eWho It's For\u003c\/h4\u003e\n \u003cp\u003eMobile DJs, house parties, bars, clubs, karaoke rooms, skating rinks, school dances, birthday parties, holiday events, and any situation where you want \u003cstrong\u003eroom-filling visual effects without complexity\u003c\/strong\u003e. The SF-DL2000 runs on ~30W, weighs almost nothing, and can operate in sound-active or auto-run mode with no controller at all — plug it in and it goes. It's also DMX-controllable for integration into larger lighting rigs.\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eAt a Glance:\u003c\/strong\u003e 2×10W RGBW 4-in-1 LED butterfly beams · red laser 100mW + green laser 30mW · 8CH DMX · sound-active · auto-run · master\/slave · ~30W · lightweight · IP22 · indoor use\n \u003c\/div\u003e\n \u003c\/div\u003e\n\n \u003c!-- TAB 2: LIGHT \u0026 EFFECTS --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-2\"\u003e\n \u003ch4\u003eRGBW 4-in-1 LED Butterfly Beams\u003c\/h4\u003e\n \u003cp\u003eThe LED section uses \u003cstrong\u003e2×10W RGBW 4-in-1 LEDs\u003c\/strong\u003e — each LED contains red, green, blue, and white emitters in a single package. The light passes through a \u003cstrong\u003emulti-faceted internal lens system\u003c\/strong\u003e that splits each LED's output into multiple beams and projects them outward in a wide, fan-shaped pattern. These beams sweep across the room as the internal optics rotate and shift, creating the characteristic \"butterfly\" effect — symmetrical, wing-like beam patterns that spread, overlap, and change color in real time.\u003c\/p\u003e\n\n \u003cp\u003eThe RGBW color system produces the full spectrum of colors through mixing (16.7 million combinations), plus clean white from the dedicated white emitter. The \u003cstrong\u003ebeam angle of approximately 60°\u003c\/strong\u003e means the fixture covers a wide area from a single position — one SF-DL2000 can fill a small-to-medium room with sweeping color patterns.\u003c\/p\u003e\n\n \u003ch4\u003eRed \u0026amp; Green Laser Patterns\u003c\/h4\u003e\n \u003cp\u003eThe laser section includes two separate laser diodes:\u003c\/p\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003eRed laser — 100mW\u003c\/strong\u003e — Higher power, produces brighter and more visible red patterns, dots, and geometric shapes.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eGreen laser — 30mW\u003c\/strong\u003e — Lower power but higher perceived brightness (the human eye is most sensitive to green light). Green laser patterns appear vivid and sharp even at lower output.\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003cp\u003eThe lasers project \u003cstrong\u003epatterns, starfields, and geometric shapes\u003c\/strong\u003e through a diffraction grating system. These patterns overlay the LED butterfly beams, adding a layer of fine detail — tiny pinpoint dots scattered across walls and ceilings, crisp geometric lines, and star-like clusters that move and rotate. The laser patterns are especially dramatic on dark walls and ceilings where the pinpoint precision of the laser dots stands out against the broader LED beam washes.\u003c\/p\u003e\n\n \u003cdiv class=\"warning-callout\"\u003e\n \u003cstrong\u003eLaser Safety:\u003c\/strong\u003e The SF-DL2000 contains Class 3R laser diodes. Never aim the fixture directly at anyone's eyes, reflective surfaces (mirrors, glass), or audiences at eye level. Mount the fixture above head height and angle it so laser patterns project onto walls, ceilings, or floors — never into the audience's line of sight. Follow all local regulations regarding laser use in public venues.\n \u003c\/div\u003e\n\n \u003ch4\u003eCombined Effect\u003c\/h4\u003e\n \u003cp\u003eWhen both the LED and laser sections are active, you get \u003cstrong\u003ethree visual layers simultaneously\u003c\/strong\u003e: broad RGBW butterfly beam sweeps (color and energy), sharp laser dot patterns (texture and detail), and the interaction between them as both effects overlap and move. In sound-active mode, all three layers react to music — the butterfly beams sweep on beats, colors shift, and laser patterns pulse in response to bass hits and rhythm changes.\u003c\/p\u003e\n\n \u003ch4\u003eColor Temperature\u003c\/h4\u003e\n \u003cp\u003eThe RGBW LEDs have a base color temperature of \u003cstrong\u003e2700K\u003c\/strong\u003e (warm white) when only the white emitter is active. Full RGBW mixing provides the complete color spectrum beyond the warm white baseline.\u003c\/p\u003e\n \u003c\/div\u003e\n\n \u003c!-- TAB 3: FULL SPECS --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-3\"\u003e\n \u003ch4\u003eComplete Specifications\u003c\/h4\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth style=\"width:40%;\"\u003eSpecification\u003c\/th\u003e\n \u003cth\u003eDetail\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLED Source\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2×10W RGBW 4-in-1 LED\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRed Laser\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100mW\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGreen Laser\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e30mW\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEffect Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLED butterfly beam + laser patterns\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBeam Angle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~60°\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor Temperature\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2700K (warm white base)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor System\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRGBW 4-in-1 (16.7 million colors)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~30W\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAC100–240V, 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8CH\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControl Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDMX512 \/ Master-Slave \/ Sound-Active \/ Auto-Run\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Connector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3-pin XLR In\/Out\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLED display\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIP Rating\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIP22\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHousing\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePlastic + metal\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCooling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSilent fan forced cooling\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e13.8 × 13 × 9.4 in (350 × 330 × 240 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~3 lbs (~1.5 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSFX-DER-001\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003ch4\u003eIP22 — Indoor Use Only\u003c\/h4\u003e\n \u003cp\u003eThe SF-DL2000 is rated \u003cstrong\u003eIP22\u003c\/strong\u003e — basic protection against solid objects larger than 12.5mm and vertically dripping water. This is an \u003cstrong\u003eindoor-only fixture\u003c\/strong\u003e. Do not use outdoors, in rain, or in humid or wet environments. The laser diodes are especially sensitive to moisture and temperature extremes.\u003c\/p\u003e\n\n \u003ch4\u003ePower\u003c\/h4\u003e\n \u003cp\u003eAt approximately \u003cstrong\u003e30W\u003c\/strong\u003e, the SF-DL2000 draws virtually no power. A single 15A\/120V circuit can support dozens of these fixtures. Power is never a limiting factor.\u003c\/p\u003e\n\n \u003ch4\u003eWhat's in the Box\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003eSF-DL2000 Derby Light (1 unit)\u003c\/li\u003e\n \u003cli\u003ePower cable\u003c\/li\u003e\n \u003cli\u003eUser manual\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n\n \u003c!-- TAB 4: DMX \u0026 CONTROL --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-4\"\u003e\n \u003ch4\u003eControl Modes\u003c\/h4\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth style=\"width:28%;\"\u003eMode\u003c\/th\u003e\n \u003cth\u003eHow It Works\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eDMX512\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eFull external control via wired DMX (3-pin XLR). 8 channels controlling LED color, laser on\/off, strobe, rotation speed, and program selection.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eMaster\/Slave\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eOne fixture controls all connected units via DMX daisy chain. No console needed. All slaves mirror the master's behavior in sync.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eSound-Active\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eBuilt-in microphone triggers effects in response to music. Butterfly beams sweep on beats, colors shift, and laser patterns pulse with the rhythm. No controller needed — just plug in and play music.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eAuto-Run\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eBuilt-in programs run on power-up. The fixture cycles through beam patterns, color changes, and laser effects automatically. Plug in and go.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003ch4\u003eDMX Channel Layout — 8CH\u003c\/h4\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth\u003eChannel\u003c\/th\u003e\n \u003cth\u003eFunction\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 1\u003c\/td\u003e\n\u003ctd\u003eLED Red (0–255)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 2\u003c\/td\u003e\n\u003ctd\u003eLED Green (0–255)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 3\u003c\/td\u003e\n\u003ctd\u003eLED Blue (0–255)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 4\u003c\/td\u003e\n\u003ctd\u003eLED White (0–255)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 5\u003c\/td\u003e\n\u003ctd\u003eLED Strobe \/ Effect Speed\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 6\u003c\/td\u003e\n\u003ctd\u003eRed Laser Control\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 7\u003c\/td\u003e\n\u003ctd\u003eGreen Laser Control\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 8\u003c\/td\u003e\n\u003ctd\u003eRotation \/ Auto Programs\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003cp\u003e\u003cem\u003eNote: The channel layout above is a standard configuration for this fixture class. Refer to the included user manual for exact channel assignments, as DMX maps may vary by firmware version.\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eDMX Addressing:\u003c\/strong\u003e At 8 channels per fixture — first at 001, second at 009, third at 017 — one 512-channel DMX universe supports up to \u003cstrong\u003e64 individually addressed fixtures\u003c\/strong\u003e.\n \u003c\/div\u003e\n\n \u003ch4\u003eWiring\u003c\/h4\u003e\n \u003cp\u003eStandard 3-pin XLR DMX In\/Out for daisy chaining. Connect your console's DMX output to the first fixture's DMX In, then daisy-chain from each fixture's DMX Out to the next.\u003c\/p\u003e\n \u003c\/div\u003e\n\n \u003c!-- TAB 5: FAQ \u0026 TIPS --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-5\"\u003e\n \u003ch4\u003eFrequently Asked Questions\u003c\/h4\u003e\n\n \u003cp\u003e\u003cstrong\u003eCan I use the SF-DL2000 outdoors?\u003c\/strong\u003e\u003cbr\u003e\n No. The SF-DL2000 is rated \u003cstrong\u003eIP22\u003c\/strong\u003e — indoor use only. The laser diodes are sensitive to moisture and temperature extremes. Do not use in rain, outdoor open-air environments, or high-humidity spaces.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eWhat's the difference between the LED effect and the laser effect?\u003c\/strong\u003e\u003cbr\u003e\n The \u003cstrong\u003eLED butterfly beams\u003c\/strong\u003e produce broad, colorful sweeps of light — wide beams that fan across walls, floors, and ceilings in RGBW colors. The \u003cstrong\u003elasers\u003c\/strong\u003e produce sharp, precise dots and patterns — pinpoint red and green projections that overlay the LED beams. The LEDs fill space with color; the lasers add fine detail and sharpness. Together, they create a layered, multi-texture effect.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eIs this a disco ball replacement?\u003c\/strong\u003e\u003cbr\u003e\n It fills a similar role — room-filling visual effects for parties, dances, and events — but the effect is different. A disco ball reflects a single light source into hundreds of dots. The SF-DL2000 projects colored butterfly beam patterns from LEDs and sharp geometric patterns from lasers. The visual effect is more varied and colorful than a traditional disco ball.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eDo I need a DMX controller?\u003c\/strong\u003e\u003cbr\u003e\n No. Sound-active mode responds to music through the built-in mic, auto-run cycles through programs on power-up, and master\/slave lets one unit control others — all without any controller. DMX is there if you want to integrate the fixture into a larger rig with precise control.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eHow much area does it cover?\u003c\/strong\u003e\u003cbr\u003e\n With an approximately 60° beam angle, the SF-DL2000 covers a wide area. Mounted at 8–10 feet, one fixture can fill a small-to-medium room (20×20 ft) with sweeping beam patterns. Two units on opposite sides of a room provide overlapping coverage for larger spaces.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eIs the laser dangerous?\u003c\/strong\u003e\u003cbr\u003e\n The SF-DL2000 contains \u003cstrong\u003eClass 3R laser diodes\u003c\/strong\u003e (100mW red, 30mW green). Direct eye exposure must be avoided. Mount the fixture above head height and angle it so laser patterns hit walls, ceilings, and floors — never directly into the audience's line of sight. Check your local regulations regarding laser use in public venues; some jurisdictions require a variance or notification for laser effects in public spaces.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eHow loud is the fan?\u003c\/strong\u003e\u003cbr\u003e\n The SF-DL2000 uses a \u003cstrong\u003esilent fan cooling system\u003c\/strong\u003e designed for low noise. In a music environment (party, DJ set, club), the fan is completely inaudible. In a quiet room, it's barely perceptible.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eHow heavy is it?\u003c\/strong\u003e\u003cbr\u003e\n The SF-DL2000 is very lightweight — approximately \u003cstrong\u003e3 lbs\u003c\/strong\u003e. Easy to mount on a T-bar, lighting stand, or bracket, and simple to transport.\u003c\/p\u003e\n\n \u003ch4\u003eSetup Tips\u003c\/h4\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eQuick Start:\u003c\/strong\u003e Plug the SF-DL2000 into AC power. Use the rear LED display to select \u003cstrong\u003eSound-Active\u003c\/strong\u003e mode. Play music. The fixture immediately begins producing butterfly beam sweeps and laser patterns that react to the beat. No controller, no cables, no programming.\n \u003c\/div\u003e\n\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003eMount above head height.\u003c\/strong\u003e This applies to any fixture with lasers — mount the unit high enough that laser patterns project down onto floors, walls, and ceilings, not into anyone's eyes. A standard lighting stand, T-bar, or ceiling bracket at 8+ feet works well.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003ePair with haze or fog.\u003c\/strong\u003e The butterfly beams become dramatically more visible in haze — instead of just seeing the beam endpoints on walls, you see the sweeping colored shafts of light in the air. The laser dots also become visible as beams cutting through the haze.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eUse multiple units for larger spaces.\u003c\/strong\u003e One SF-DL2000 fills a small room. For medium-to-large spaces (dance floors, event halls, bars), use 2–4 units positioned around the room for overlapping coverage and more complex visual patterns.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eCombine with other fixtures.\u003c\/strong\u003e Derby lights work well alongside par lights, moving heads, and strobes. The derby provides pattern and motion effects while pars provide color wash and moving heads provide beam and sweep effects — different visual textures that complement each other.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eSound-active in the right spot.\u003c\/strong\u003e The built-in microphone responds best when the fixture is near a speaker or sound source. If the fixture is far from the audio, sound-active mode may not trigger reliably.\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n\n \u003c\/div\u003e\n\u003c!-- end tabs-panels --\u003e\n \u003c\/div\u003e\n\u003c!-- end surgefx-tabs --\u003e\n\n \u003c!-- ============================================\n MOBILE ACCORDION\n ============================================ --\u003e\n \u003cdiv class=\"surgefx-accordion\"\u003e\n\n \u003c!-- ACCORDION 1: OVERVIEW --\u003e\n \u003cdetails open\u003e\n \u003csummary\u003e💡 Overview\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003cp\u003eThe SF-DL2000 is a \u003cstrong\u003eLED + laser hybrid derby light\u003c\/strong\u003e combining \u003cstrong\u003e2×10W RGBW butterfly beams\u003c\/strong\u003e with \u003cstrong\u003ered (100mW) and green (30mW) laser patterns\u003c\/strong\u003e in one compact fixture. The LEDs project wide-angle, sweeping colored beam patterns. The lasers project sharp pinpoint dots, starfields, and geometric shapes on top. Two different light sources, two different effects, one fixture.\u003c\/p\u003e\n\n \u003ch4\u003eLED + Laser — Two Effects\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003eRGBW butterfly beams\u003c\/strong\u003e — broad, colorful sweeps filling the room with fanning beam patterns\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eRed\/green lasers\u003c\/strong\u003e — sharp, precise patterns and starfield dots overlaid on the LED effect\u003c\/li\u003e\n \u003c\/ul\u003e\n\n \u003ch4\u003eWho It's For\u003c\/h4\u003e\n \u003cp\u003eMobile DJs, house parties, bars, clubs, karaoke, skating rinks, school dances, birthday parties, holiday events. ~30W, lightweight, plug-and-play.\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eAt a Glance:\u003c\/strong\u003e 2×10W RGBW 4-in-1 LED · red 100mW + green 30mW lasers · 8CH DMX · sound-active · auto-run · master\/slave · ~30W · ~3 lbs · IP22 · indoor\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c!-- ACCORDION 2: LIGHT \u0026 EFFECTS --\u003e\n \u003cdetails\u003e\n \u003csummary\u003e🎨 Light \u0026amp; Effects\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003ch4\u003eRGBW Butterfly Beams\u003c\/h4\u003e\n \u003cp\u003e2×10W RGBW 4-in-1 LEDs behind a multi-faceted lens system. Wide-angle (~60°) sweeping beams fan across walls, floors, and ceilings. Full RGB color mixing (16.7M colors) + clean white. 2700K warm white base.\u003c\/p\u003e\n\n \u003ch4\u003eRed \u0026amp; Green Lasers\u003c\/h4\u003e\n \u003cp\u003eRed 100mW + Green 30mW laser diodes projecting patterns, dots, starfields, and geometric shapes through a diffraction grating. Sharp, precise accents that overlay the broad LED beams.\u003c\/p\u003e\n\n \u003cdiv class=\"warning-callout\"\u003e\n \u003cstrong\u003eLaser Safety:\u003c\/strong\u003e Class 3R lasers. Never aim at eyes or reflective surfaces. Mount above head height. Angle patterns toward walls, ceilings, and floors — not into the audience.\n \u003c\/div\u003e\n\n \u003ch4\u003eCombined Effect\u003c\/h4\u003e\n \u003cp\u003eThree visual layers: broad RGBW beam sweeps (color), sharp laser patterns (texture), and the interaction between them. In sound-active mode, all layers react to music simultaneously.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c!-- ACCORDION 3: FULL SPECS --\u003e\n \u003cdetails\u003e\n \u003csummary\u003e📐 Full Specs\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth style=\"width:40%;\"\u003eSpec\u003c\/th\u003e\n \u003cth\u003eDetail\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLED Source\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2×10W RGBW 4-in-1\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRed Laser\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100mW\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGreen Laser\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e30mW\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEffect Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eButterfly beam + laser patterns\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBeam Angle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~60°\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor Temp\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e2700K (warm white base)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~30W\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAC100–240V, 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8CH\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDMX \/ M-S \/ Sound \/ Auto\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Connector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3-pin XLR In\/Out\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLED display\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIP Rating\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIP22 (indoor only)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHousing\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePlastic + metal\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCooling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSilent fan\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e13.8 × 13 × 9.4 in\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~3 lbs (~1.5 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSFX-DER-001\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003cp\u003eAt ~30W, power is never a limiting factor. One 15A circuit supports dozens of units.\u003c\/p\u003e\n\n \u003ch4\u003eWhat's in the Box\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003eSF-DL2000 Derby Light (1 unit)\u003c\/li\u003e\n \u003cli\u003ePower cable\u003c\/li\u003e\n \u003cli\u003eUser manual\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c!-- ACCORDION 4: DMX \u0026 CONTROL --\u003e\n \u003cdetails\u003e\n \u003csummary\u003e🎛️ DMX \u0026amp; Control\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003ch4\u003eFour Control Modes\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003eDMX512:\u003c\/strong\u003e 8 channels — LED color, laser control, strobe, rotation, programs.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eMaster\/Slave:\u003c\/strong\u003e One controls all connected units. No console needed.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eSound-Active:\u003c\/strong\u003e Built-in mic triggers effects from music.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eAuto-Run:\u003c\/strong\u003e Built-in programs on power-up. Plug and go.\u003c\/p\u003e\n\n \u003ch4\u003e8CH DMX Layout\u003c\/h4\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth\u003eCH\u003c\/th\u003e\n \u003cth\u003eFunction\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003eLED Red\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eLED Green\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eLED Blue\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eLED White\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e5\u003c\/td\u003e\n\u003ctd\u003eStrobe \/ Speed\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003eRed Laser\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e7\u003c\/td\u003e\n\u003ctd\u003eGreen Laser\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003ctd\u003eRotation \/ Programs\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003cp\u003e\u003cem\u003eRefer to the included manual for exact channel assignments.\u003c\/em\u003e\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eAddressing:\u003c\/strong\u003e 8CH per fixture. First at 001, second at 009. One universe supports 64 fixtures.\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c!-- ACCORDION 5: FAQ \u0026 TIPS --\u003e\n \u003cdetails\u003e\n \u003csummary\u003e❓ FAQ \u0026amp; Tips\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003cp\u003e\u003cstrong\u003eOutdoors?\u003c\/strong\u003e\u003cbr\u003e\n No. IP22 — indoor only. Lasers are sensitive to moisture.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eNeed a controller?\u003c\/strong\u003e\u003cbr\u003e\n No. Sound-active, auto-run, and master\/slave all work standalone.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eCoverage?\u003c\/strong\u003e\u003cbr\u003e\n ~60° beam angle. One unit fills a small-to-medium room from 8–10 ft height.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eLaser safety?\u003c\/strong\u003e\u003cbr\u003e\n Class 3R lasers. Mount above head height. Never aim at eyes. Check local regulations for public venue laser use.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eWeight?\u003c\/strong\u003e\u003cbr\u003e\n ~3 lbs. Extremely lightweight and portable.\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eQuick Start:\u003c\/strong\u003e Plug in → select Sound-Active on rear display → play music → the fixture immediately produces butterfly beams and laser patterns reacting to the beat.\n \u003c\/div\u003e\n\n \u003ch4\u003eSetup Tips\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003eMount above head height\u003c\/strong\u003e — laser patterns should project down, not at eye level.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eAdd haze or fog\u003c\/strong\u003e — makes both LED beams and laser dots dramatically more visible in the air.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eMultiple units for larger spaces\u003c\/strong\u003e — 2–4 around the room for overlapping coverage.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eCombine with other fixtures\u003c\/strong\u003e — derby + pars + moving heads = different visual textures that complement each other.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003ePlace near speakers\u003c\/strong\u003e for reliable sound-active triggering.\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c\/div\u003e\n\u003c!-- end accordion --\u003e\n\n \u003cdiv class=\"surgefx-footer\"\u003e\n SurgeFX SF-DL2000 Derby Light — LED + Laser Multi-Effect Party Light\u003cbr\u003e\n Questions? Call \u003cstrong\u003e(866) 577-8743\u003c\/strong\u003e or email \u003cstrong\u003einfo@surgefx.com\u003c\/strong\u003e\n \u003c\/div\u003e\n\n\u003c\/div\u003e\u003c!-- end surgefx-product-info --\u003e\n\n","brand":"SurgeFX","offers":[{"title":"Default Title","offer_id":49463914758442,"sku":"SFX-DER-001","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0891\/1516\/4970\/files\/surgefx-sf-dl2000-derby-light-hero.webp?v=1783955956"},{"product_id":"surgefx-sf-zw1915-bee-eye-led-zoom-wash-moving-head-light","title":"SurgeFX SF-ZW1915 Bee Eye LED Zoom Wash Moving Head Light","description":"\u003cstyle\u003e\n\/* ============================================\n SURGEFX RESPONSIVE TABS\/ACCORDION HYBRID\n ============================================ *\/\n\n.surgefx-product-info {\n margin: 24px 0;\n font-family: inherit;\n}\n\n.surgefx-intro {\n margin-bottom: 24px;\n line-height: 1.7;\n}\n\n.surgefx-tagline {\n font-size: 1.15em;\n font-weight: 700;\n color: #000000;\n margin-bottom: 16px;\n letter-spacing: 0.5px;\n}\n\n.surgefx-product-info h4 {\n color: #1a1a1a !important;\n margin: 24px 0 12px 0;\n font-size: 1.05em;\n font-weight: 700;\n padding-bottom: 8px;\n border-bottom: 2px solid #00d1b2;\n display: inline-block;\n}\n\n.surgefx-product-info h4:first-child {\n margin-top: 0;\n}\n\n.surgefx-product-info table {\n width: 100%;\n border-collapse: collapse;\n margin: 16px 0;\n border-radius: 8px;\n overflow: hidden;\n box-shadow: 0 1px 4px rgba(0, 0, 0, 0.06);\n}\n\n.surgefx-product-info th,\n.surgefx-product-info td {\n text-align: left;\n padding: 12px 16px;\n border-bottom: 1px solid #eee;\n}\n\n.surgefx-product-info tr:last-child td {\n border-bottom: none;\n}\n\n.surgefx-product-info th {\n font-weight: 600;\n background: linear-gradient(180deg, #1a1a1a 0%, #2d2d2d 100%);\n color: #00d1b2;\n}\n\n.surgefx-product-info tbody tr:nth-child(even) {\n background: rgba(0, 0, 0, 0.02);\n}\n\n.surgefx-product-info ul {\n padding-left: 20px;\n margin: 12px 0;\n}\n\n.surgefx-product-info li {\n margin-bottom: 8px;\n}\n\n.surgefx-product-info .highlight {\n background: linear-gradient(135deg, rgba(0, 209, 178, 0.08) 0%, rgba(0, 209, 178, 0.15) 100%);\n border-left: 4px solid #00d1b2;\n padding: 16px 20px;\n margin: 20px 0;\n border-radius: 0 8px 8px 0;\n box-shadow: 0 2px 8px rgba(0, 209, 178, 0.1);\n}\n\n.surgefx-product-info .warning-callout {\n background: linear-gradient(135deg, rgba(255, 193, 7, 0.1) 0%, rgba(255, 193, 7, 0.18) 100%);\n border-left: 4px solid #ffc107;\n padding: 16px 20px;\n margin: 20px 0;\n border-radius: 0 8px 8px 0;\n box-shadow: 0 2px 8px rgba(255, 193, 7, 0.1);\n}\n\n.surgefx-product-info a {\n color: #000000;\n text-decoration: underline;\n}\n\n.surgefx-product-info a:hover {\n color: #00d1b2;\n}\n\n.surgefx-footer {\n text-align: center;\n margin-top: 28px;\n padding: 16px;\n color: #666;\n font-style: italic;\n font-size: 0.95em;\n background: linear-gradient(180deg, transparent 0%, rgba(0, 209, 178, 0.05) 100%);\n border-radius: 8px;\n}\n\n\/* ============================================\n DESKTOP: HORIZONTAL TABS\n ============================================ *\/\n.surgefx-tabs {\n display: block;\n}\n\n.surgefx-tabs input[type=\"radio\"] {\n display: none !important;\n position: absolute;\n opacity: 0;\n pointer-events: none;\n}\n\n.surgefx-tabs-nav {\n display: flex !important;\n flex-direction: row !important;\n flex-wrap: nowrap !important;\n gap: 0;\n margin: 0;\n padding: 0;\n list-style: none;\n background: linear-gradient(180deg, #1a1a1a 0%, #2d2d2d 100%);\n border-radius: 10px 10px 0 0;\n overflow: hidden;\n}\n\n.surgefx-tabs-nav label {\n flex: 1;\n display: block !important;\n padding: 16px 10px;\n cursor: pointer;\n font-weight: 600;\n font-size: 0.85em;\n color: #999;\n background: transparent;\n border: none;\n border-right: 1px solid #3a3a3a;\n margin: 0;\n transition: all 0.25s ease;\n white-space: nowrap;\n text-align: center;\n position: relative;\n}\n\n.surgefx-tabs-nav label:last-child {\n border-right: none;\n}\n\n.surgefx-tabs-nav label:hover {\n color: #00d1b2;\n background: rgba(0, 209, 178, 0.1);\n}\n\n#tab1:checked ~ .surgefx-tabs-nav label[for=\"tab1\"],\n#tab2:checked ~ .surgefx-tabs-nav label[for=\"tab2\"],\n#tab3:checked ~ .surgefx-tabs-nav label[for=\"tab3\"],\n#tab4:checked ~ .surgefx-tabs-nav label[for=\"tab4\"],\n#tab5:checked ~ .surgefx-tabs-nav label[for=\"tab5\"] {\n color: #00d1b2;\n background: linear-gradient(180deg, rgba(0, 209, 178, 0.2) 0%, rgba(0, 209, 178, 0.05) 100%);\n}\n\n#tab1:checked ~ .surgefx-tabs-nav label[for=\"tab1\"]::after,\n#tab2:checked ~ .surgefx-tabs-nav label[for=\"tab2\"]::after,\n#tab3:checked ~ .surgefx-tabs-nav label[for=\"tab3\"]::after,\n#tab4:checked ~ .surgefx-tabs-nav label[for=\"tab4\"]::after,\n#tab5:checked ~ .surgefx-tabs-nav label[for=\"tab5\"]::after {\n content: \"\";\n position: absolute;\n bottom: 0;\n left: 0;\n right: 0;\n height: 3px;\n background: #00d1b2;\n}\n\n.surgefx-tabs-panels {\n position: relative;\n}\n\n.surgefx-tabs-content {\n display: none;\n padding: 28px;\n background: linear-gradient(180deg, #f8f9fa 0%, #ffffff 100%);\n border: 1px solid #e0e0e0;\n border-top: none;\n border-radius: 0 0 10px 10px;\n line-height: 1.7;\n box-shadow: 0 4px 15px rgba(0, 0, 0, 0.08);\n}\n\n#tab1:checked ~ .surgefx-tabs-panels .content-1,\n#tab2:checked ~ .surgefx-tabs-panels .content-2,\n#tab3:checked ~ .surgefx-tabs-panels .content-3,\n#tab4:checked ~ .surgefx-tabs-panels .content-4,\n#tab5:checked ~ .surgefx-tabs-panels .content-5 {\n display: block;\n}\n\n\/* ============================================\n MOBILE: ACCORDION\n ============================================ *\/\n.surgefx-accordion {\n display: none;\n}\n\n.surgefx-accordion details {\n border: 1px solid #e0e0e0;\n border-radius: 8px;\n margin-bottom: 8px;\n overflow: hidden;\n box-shadow: 0 1px 4px rgba(0, 0, 0, 0.04);\n}\n\n.surgefx-accordion summary {\n padding: 16px 20px;\n font-weight: 700;\n font-size: 0.95em;\n cursor: pointer;\n background: linear-gradient(180deg, #1a1a1a 0%, #2d2d2d 100%);\n color: #00d1b2;\n list-style: none;\n display: flex;\n justify-content: space-between;\n align-items: center;\n user-select: none;\n}\n\n.surgefx-accordion summary::-webkit-details-marker {\n display: none;\n}\n\n.surgefx-accordion summary::after {\n content: \"+\";\n font-size: 1.3em;\n font-weight: 300;\n transition: transform 0.2s;\n}\n\n.surgefx-accordion details[open] summary::after {\n content: \"−\";\n}\n\n.surgefx-accordion .accordion-content {\n padding: 20px;\n background: linear-gradient(180deg, #f8f9fa 0%, #ffffff 100%);\n line-height: 1.7;\n}\n\n\/* ============================================\n RESPONSIVE BREAKPOINT\n ============================================ *\/\n@media (max-width: 768px) {\n .surgefx-tabs {\n display: none !important;\n }\n .surgefx-accordion {\n display: block !important;\n }\n}\n\u003c\/style\u003e\n\u003cdiv class=\"surgefx-product-info\"\u003e\n\u003cdiv class=\"surgefx-intro\"\u003e\n\u003cdiv class=\"surgefx-tagline\"\u003e19×15W OSRAM RGBW. BEAM + WASH + ZOOM 3-IN-1. MOTORIZED ZOOM 4–60°. INDIVIDUAL LED CONTROL. PIXEL MAPPING. RDM.\u003c\/div\u003e\n\u003cp\u003eThe \u003cstrong\u003eSF-ZW1915\u003c\/strong\u003e is a \u003cstrong\u003e19×15W RGBW bee eye zoom wash moving head\u003c\/strong\u003e — a full-size professional fixture that combines \u003cstrong\u003ebeam, wash, and motorized zoom\u003c\/strong\u003e in a single head with \u003cstrong\u003eindividual LED control\u003c\/strong\u003e across all 19 OSRAM emitters. This is not a basic moving wash. The SF-ZW1915 gives you a \u003cstrong\u003e4° punching beam\u003c\/strong\u003e that cuts through any room and a \u003cstrong\u003e60° wide wash\u003c\/strong\u003e that floods an entire stage — and the motorized zoom transitions between them in real time under DMX control. The \u003cstrong\u003ebee eye lens array\u003c\/strong\u003e with its rotating disc creates kaleidoscopic patterns that layer on top of the beam, wash, and zoom functions. \u003cstrong\u003eIndividual LED pixel control\u003c\/strong\u003e across 5 zones lets you map arrows, numbers, letters, and patterns directly onto the face of the fixture. \u003cstrong\u003e540° pan, 210° tilt\u003c\/strong\u003e on three-phase ultra-quiet motors. Up to \u003cstrong\u003e99 DMX channels\u003c\/strong\u003e for full per-LED RGBW pixel mapping. \u003cstrong\u003eRDM support\u003c\/strong\u003e for bidirectional device management. \u003cstrong\u003ePowercon In\/Out\u003c\/strong\u003e for daisy-chained power distribution. \u003cstrong\u003e450W\u003c\/strong\u003e, \u003cstrong\u003e37 lbs\u003c\/strong\u003e, built for production-grade rental inventories and permanent installations.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- ============================================\n DESKTOP TABS\n ============================================ --\u003e\n\u003cdiv class=\"surgefx-tabs\"\u003e\n\u003cinput type=\"radio\" name=\"tabs\" id=\"tab1\" checked\u003e \u003cinput type=\"radio\" name=\"tabs\" id=\"tab2\"\u003e \u003cinput type=\"radio\" name=\"tabs\" id=\"tab3\"\u003e \u003cinput type=\"radio\" name=\"tabs\" id=\"tab4\"\u003e \u003cinput type=\"radio\" name=\"tabs\" id=\"tab5\"\u003e\n\u003cdiv class=\"surgefx-tabs-nav\"\u003e\n\u003clabel for=\"tab1\"\u003e💡 Overview\u003c\/label\u003e \u003clabel for=\"tab2\"\u003e🎨 Light \u0026amp; Effects\u003c\/label\u003e \u003clabel for=\"tab3\"\u003e📐 Full Specs\u003c\/label\u003e \u003clabel for=\"tab4\"\u003e🎛️ DMX \u0026amp; Control\u003c\/label\u003e \u003clabel for=\"tab5\"\u003e❓ FAQ \u0026amp; Tips\u003c\/label\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"surgefx-tabs-panels\"\u003e\n\u003c!-- TAB 1: OVERVIEW --\u003e\n\u003cdiv class=\"surgefx-tabs-content content-1\"\u003e\n\u003ch4\u003eWhat the SF-ZW1915 Is\u003c\/h4\u003e\n\u003cp\u003eThe SF-ZW1915 is a \u003cstrong\u003ebeam\/wash\/zoom 3-in-1 moving head light\u003c\/strong\u003e built around \u003cstrong\u003e19 OSRAM RGBW 4-in-1 LEDs at 15 watts each\u003c\/strong\u003e. The \"3-in-1\" designation means this single fixture replaces what would otherwise require separate beam, wash, and zoom heads in your rig. At \u003cstrong\u003e4° zoom\u003c\/strong\u003e, the SF-ZW1915 produces a tight, concentrated beam — a hard-edged shaft of light that punches through distance and haze with maximum intensity. At \u003cstrong\u003e60° zoom\u003c\/strong\u003e, the same fixture opens into a smooth, wide-angle wash that can flood an entire stage or wall with even color coverage. The \u003cstrong\u003emotorized zoom\u003c\/strong\u003e transitions between these extremes in real time — you can go from a tight beam to a wide wash mid-show, mid-song, or mid-cue without touching the fixture.\u003c\/p\u003e\n\u003cp\u003eOn top of that, the \u003cstrong\u003ebee eye lens disc\u003c\/strong\u003e adds a rotating kaleidoscopic effect that splits, fans, and recombines the beams from all 19 LEDs into dynamic, fractured patterns. And unlike a basic bee eye fixture, the SF-ZW1915 offers \u003cstrong\u003eindividual LED control\u003c\/strong\u003e — each of the 19 LEDs can be addressed independently for RGBW color, enabling pixel mapping of patterns, arrows, letters, numbers, and zone-based color schemes directly on the fixture's face.\u003c\/p\u003e\n\u003ch4\u003eOSRAM LED Source\u003c\/h4\u003e\n\u003cp\u003eThe SF-ZW1915 uses \u003cstrong\u003eOSRAM-brand RGBW 4-in-1 LEDs\u003c\/strong\u003e — not generic emitters. OSRAM is a tier-one LED manufacturer known for tight color binning (consistent color across all 19 LEDs), high lumen output per watt, superior color rendering, and long-term reliability under the thermal stress of continuous professional use. The OSRAM specification matters because it determines the quality of the light — color accuracy, brightness consistency, and fade behavior — that generic emitters can't match at this performance level.\u003c\/p\u003e\n\u003ch4\u003eThree-Phase Ultra-Quiet Motors\u003c\/h4\u003e\n\u003cp\u003eThe pan\/tilt system uses \u003cstrong\u003ethree-phase stepper motors\u003c\/strong\u003e instead of standard two-phase motors. The practical result is \u003cstrong\u003efaster movement, more precise positioning, and significantly quieter operation\u003c\/strong\u003e. The fan speed is also \u003cstrong\u003eauto-adjustable based on head temperature\u003c\/strong\u003e — the fixture runs its cooling fans only as hard as needed, reducing noise during quiet moments and ramping up when thermal demand increases. This makes the SF-ZW1915 viable in noise-sensitive environments like theaters, houses of worship, and broadcast studios where fan noise from cheaper fixtures would be disruptive.\u003c\/p\u003e\n\u003ch4\u003eWho It's For\u003c\/h4\u003e\n\u003cp\u003eProduction companies, rental houses, concert and touring rigs, theaters, large-venue permanent installations, houses of worship, broadcast studios, and professional lighting designers who need a \u003cstrong\u003edo-everything moving head\u003c\/strong\u003e that handles beam, wash, zoom, pixel mapping, and bee eye effects from one fixture position. At \u003cstrong\u003e$625\u003c\/strong\u003e and \u003cstrong\u003e37 lbs\u003c\/strong\u003e, the SF-ZW1915 is positioned as a workhorse for inventories where versatility, output, and reliability matter more than minimum weight.\u003c\/p\u003e\n\u003cdiv class=\"highlight\"\u003e\n\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e 19×15W OSRAM RGBW 4-in-1 · beam\/wash\/zoom 3-in-1 · motorized zoom 4–60° · bee eye rotating lens disc · individual LED pixel control (5 zones) · 540°\/210° pan\/tilt · three-phase quiet motors · up to 99CH DMX · RDM · Powercon In\/Out · 3000–6200K CCT · 450W · 37 lbs · $625\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- TAB 2: LIGHT \u0026 EFFECTS --\u003e\n\u003cdiv class=\"surgefx-tabs-content content-2\"\u003e\n\u003ch4\u003e19×15W OSRAM RGBW 4-in-1\u003c\/h4\u003e\n\u003cp\u003eNineteen individually controllable OSRAM RGBW LEDs at 15 watts each — \u003cstrong\u003e285W of LED power\u003c\/strong\u003e from tier-one emitters. Each LED contains four discrete chips (red, green, blue, white) in a single OSRAM package. Full RGB spectrum mixing (16.7 million colors) plus a dedicated white emitter for clean whites and adjustable color temperature. The OSRAM spec ensures tight color binning: all 19 LEDs produce the same color at the same DMX value, with no visible variation across the face of the fixture.\u003c\/p\u003e\n\u003ch4\u003eMotorized Zoom: 4° to 60°\u003c\/h4\u003e\n\u003cp\u003eThe motorized zoom is what makes the SF-ZW1915 a 3-in-1 fixture:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e4° (beam mode)\u003c\/strong\u003e — Extremely tight, concentrated output. Hard-edged shaft of light with maximum throw distance and intensity. Cuts through haze as a defined beam. Use for aerial beam effects, long-throw key positions, and dramatic single-point accents.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15–30° (mid-zoom)\u003c\/strong\u003e — Focused wash. Wider than a beam but still concentrated. Good for performer specials, head table accents, set piece illumination, and medium-throw coverage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e60° (wash mode)\u003c\/strong\u003e — Full wide-angle wash. Smooth, even coverage across a large area. Use for stage floods, wall washes, audience lighting, and broad color fills where you need coverage, not defined beams.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe zoom motor is \u003cstrong\u003eDMX-controllable\u003c\/strong\u003e, meaning you can transition between beam and wash modes in real time — tightening to 4° for a dramatic accent, then widening to 60° for a wash, all within the same cue or programmed sequence. This replaces the need to carry separate beam heads and wash heads.\u003c\/p\u003e\n\u003ch4\u003eColor Temperature: 3000–6200K\u003c\/h4\u003e\n\u003cp\u003eThe RGBW mixing system produces a \u003cstrong\u003etunable white range from 3000K to 6200K\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e3000K\u003c\/strong\u003e — Warm tungsten. Matches incandescent and halogen sources. Classic warm stage wash.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4000K\u003c\/strong\u003e — Neutral white. Balanced, natural-looking fill light.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5600K\u003c\/strong\u003e — Daylight. Matches outdoor natural light and film\/broadcast standards.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6200K\u003c\/strong\u003e — Cool white. Slightly blue-shifted, contemporary feel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis CCT range means the SF-ZW1915 can match other lighting sources on your rig (tungsten conventionals, LED panels, daylight sources) and serve as a practical white light fixture for broadcast and theater applications — not just a color effects head.\u003c\/p\u003e\n\u003ch4\u003eBee Eye Rotating Lens Disc\u003c\/h4\u003e\n\u003cp\u003eThe rotating lens disc sits in front of the 19-LED array and creates the \u003cstrong\u003ebee eye kaleidoscope effect\u003c\/strong\u003e — individual lenses refract each LED's output at different angles, and the continuous rotation splits, fans, and recombines those beams into dynamic, fractured patterns. The rotation speed and direction are DMX-controllable. The effect is most dramatic at narrow zoom angles (4–15°) where the individual beams are tight enough to be seen as distinct shafts in haze. At wider zoom angles (30–60°), the bee eye adds a textured, faceted quality to the wash rather than defined beam separation.\u003c\/p\u003e\n\u003ch4\u003eIndividual LED Control \u0026amp; Pixel Mapping\u003c\/h4\u003e\n\u003cp\u003eEach of the 19 LEDs can be \u003cstrong\u003eindividually addressed for RGBW color\u003c\/strong\u003e via DMX. The fixture divides the LEDs into \u003cstrong\u003e5 controllable zones\u003c\/strong\u003e in lower channel modes, and offers \u003cstrong\u003efull per-LED control\u003c\/strong\u003e in higher channel modes (up to 99CH). This lets you:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDisplay \u003cstrong\u003earrows, numbers, letters, and geometric patterns\u003c\/strong\u003e on the fixture face\u003c\/li\u003e\n\u003cli\u003eCreate \u003cstrong\u003ezone-based color schemes\u003c\/strong\u003e (center one color, inner ring another, outer ring a third)\u003c\/li\u003e\n\u003cli\u003eRun \u003cstrong\u003epixel-mapped effects\u003c\/strong\u003e from a media server or advanced DMX software — each LED as an independent pixel\u003c\/li\u003e\n\u003cli\u003eProduce \u003cstrong\u003echase and rotation patterns\u003c\/strong\u003e across the LED array independent of the physical head movement\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis transforms the SF-ZW1915 from a simple wash\/beam fixture into a \u003cstrong\u003eprogrammable visual element\u003c\/strong\u003e — the face of the fixture itself becomes a display, not just a light source.\u003c\/p\u003e\n\u003ch4\u003eDimming \u0026amp; Strobe\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003e0–100% linear dimming\u003c\/strong\u003e with smooth, flicker-free curves. Electronic strobe with adjustable speed and random modes. The dimming quality matters for broadcast and theater applications where gradual fades need to be imperceptible — no stepping, no flicker, no abrupt jumps.\u003c\/p\u003e\n\u003ch4\u003eLED Lifespan\u003c\/h4\u003e\n\u003cp\u003eOSRAM LEDs rated for \u003cstrong\u003e50,000+ hours\u003c\/strong\u003e. At 8 hours per day, that's over 17 years of operation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TAB 3: FULL SPECS --\u003e\n\u003cdiv class=\"surgefx-tabs-content content-3\"\u003e\n\u003ch4\u003eComplete Specifications\u003c\/h4\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth style=\"width: 40%;\"\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLight Source\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19×15W OSRAM RGBW 4-in-1 LED\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e450W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAC100–240V, 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Connector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePowercon In \/ Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFixture Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBeam \/ Wash \/ Zoom 3-in-1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eZoom Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4–60° (motorized)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor Temperature\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3000–6200K (tunable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor System\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRGBW 4-in-1 (16.7 million colors)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIndividual LED Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eYes — 5-zone and full per-LED pixel mapping\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePan Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e540°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTilt Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e210°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMotor Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThree-phase ultra-quiet stepper motors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFan Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAuto-adjustable (temperature-responsive)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimming\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0–100% linear, flicker-free\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e21 \/ 23 \/ 35 \/ 78 \/ 92 \/ 97 \/ 99 CH\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControl Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRDM \/ DMX512 \/ Master-Slave \/ Sound-Active \/ Auto-Run\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Connector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3-pin \u0026amp; 5-pin XLR In\/Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLCD screen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLED Lifespan\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;50,000 hours\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHousing\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh-temperature plastic + aluminum die-cast\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDual omega clamp brackets\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16.93 × 12.2 × 15.75 in (494 × 358 × 253 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e37 lbs (15 kg net)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSFX-BEE-001\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch4\u003ePower — Powercon In\/Out\u003c\/h4\u003e\n\u003cp\u003eThe SF-ZW1915 uses \u003cstrong\u003ePowercon connectors\u003c\/strong\u003e for power input and output — the professional locking power connector standard used on touring and production-grade equipment. Powercon In\/Out allows \u003cstrong\u003edaisy-chaining power\u003c\/strong\u003e from fixture to fixture without running separate power cables back to a distro. This simplifies cable runs on truss and reduces the number of circuits needed at each fixture position.\u003c\/p\u003e\n\u003cdiv class=\"warning-callout\"\u003e\n\u003cstrong\u003ePower Planning:\u003c\/strong\u003e At \u003cstrong\u003e450W per fixture\u003c\/strong\u003e, power capacity must be planned carefully:\u003cbr\u003e• \u003cstrong\u003e15A \/ 120V circuit (1,800W):\u003c\/strong\u003e supports up to \u003cstrong\u003e4 fixtures\u003c\/strong\u003e per circuit\u003cbr\u003e• \u003cstrong\u003e20A \/ 120V circuit (2,400W):\u003c\/strong\u003e supports up to \u003cstrong\u003e5 fixtures\u003c\/strong\u003e per circuit\u003cbr\u003e• \u003cstrong\u003e20A \/ 208V circuit (4,160W):\u003c\/strong\u003e supports up to \u003cstrong\u003e9 fixtures\u003c\/strong\u003e per circuit\u003cbr\u003eWhen daisy-chaining power via Powercon, do not exceed the circuit rating for the total number of fixtures on the chain.\u003c\/div\u003e\n\u003ch4\u003eWhat's in the Box\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSF-ZW1915 Bee Eye Zoom Wash Moving Head Light (1 unit)\u003c\/li\u003e\n\u003cli\u003ePowercon power cable\u003c\/li\u003e\n\u003cli\u003eDMX cable\u003c\/li\u003e\n\u003cli\u003eOmega clamp brackets (2)\u003c\/li\u003e\n\u003cli\u003eUser manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c!-- TAB 4: DMX \u0026 CONTROL --\u003e\n\u003cdiv class=\"surgefx-tabs-content content-4\"\u003e\n\u003ch4\u003eControl Modes\u003c\/h4\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth style=\"width: 28%;\"\u003eMode\u003c\/th\u003e\n\u003cth\u003eHow It Works\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX512\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull external control via wired DMX. Seven channel mode options from 21CH (basic) to 99CH (full per-LED pixel control). All functions — pan, tilt, zoom, color, dimming, strobe, rotation, pixel mapping — individually addressable.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRDM\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cstrong\u003eRemote Device Management\u003c\/strong\u003e — bidirectional communication over the DMX line. Your RDM-compatible console can query the fixture for its current DMX address, operating mode, temperature, error status, and other parameters without physically accessing it. You can also remotely set the DMX address and channel mode from the console. This is a significant time-saver when fixtures are mounted on high truss or in difficult-to-reach positions.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaster\/Slave\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOne fixture controls all connected units via DMX daisy chain. No console needed. Set the master's program, and all slaves mirror it in sync.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSound-Active\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBuilt-in microphone triggers movement, color, and effects in response to audio. No controller required.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAuto-Run\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBuilt-in programs run on power-up. Plug in and go.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch4\u003eDMX Channel Modes\u003c\/h4\u003e\n\u003cp\u003eThe SF-ZW1915 offers \u003cstrong\u003eseven DMX channel modes\u003c\/strong\u003e, scaling from basic whole-fixture control to full per-LED pixel mapping:\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eMode\u003c\/th\u003e\n\u003cth\u003eChannels\u003c\/th\u003e\n\u003cth\u003eWhat It Controls\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBasic\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e21 CH\u003c\/td\u003e\n\u003ctd\u003ePan\/tilt (16-bit), master RGBW, zoom, dimmer, strobe, rotation, macros. Whole fixture — all 19 LEDs as one group.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStandard\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e23 CH\u003c\/td\u003e\n\u003ctd\u003eSame as 21CH plus additional color temperature and program channels.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e5-Zone\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e35 CH\u003c\/td\u003e\n\u003ctd\u003e19 LEDs divided into 5 controllable zones (center, inner ring segments, outer ring segments). Independent RGBW per zone. Zone-based pixel effects without full per-LED complexity.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eExtended\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e78 CH\u003c\/td\u003e\n\u003ctd\u003eExpanded pixel resolution with more individually addressable LED groups.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAdvanced\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e92 CH\u003c\/td\u003e\n\u003ctd\u003eNear-full individual LED control with additional effect parameters.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFull\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e97 CH\u003c\/td\u003e\n\u003ctd\u003eFull individual LED RGBW plus all movement, zoom, and effect channels.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e99 CH\u003c\/td\u003e\n\u003ctd\u003eComplete per-LED RGBW pixel control with all parameters. Maximum creative freedom for pixel mapping and media server integration.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"highlight\"\u003e\n\u003cstrong\u003eStart simple, scale up.\u003c\/strong\u003e For basic use — whole-fixture color washes, beam effects, and zoom — \u003cstrong\u003e21CH mode\u003c\/strong\u003e gives you everything you need with a manageable channel count. Move to \u003cstrong\u003e35CH mode\u003c\/strong\u003e when you want zone-based pixel effects. Step up to \u003cstrong\u003e92–99CH mode\u003c\/strong\u003e when you're ready for full per-LED pixel mapping from a media server or advanced console. The same fixture serves all three workflows.\u003c\/div\u003e\n\u003ch4\u003eDMX Universe Planning\u003c\/h4\u003e\n\u003cp\u003eAt higher channel counts, the SF-ZW1915 consumes a significant portion of a standard 512-channel DMX universe:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e21CH mode:\u003c\/strong\u003e up to \u003cstrong\u003e24 fixtures\u003c\/strong\u003e per universe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e35CH mode:\u003c\/strong\u003e up to \u003cstrong\u003e14 fixtures\u003c\/strong\u003e per universe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e78CH mode:\u003c\/strong\u003e up to \u003cstrong\u003e6 fixtures\u003c\/strong\u003e per universe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e99CH mode:\u003c\/strong\u003e up to \u003cstrong\u003e5 fixtures\u003c\/strong\u003e per universe\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor rigs using full pixel control (78–99CH), plan for \u003cstrong\u003emultiple DMX universes\u003c\/strong\u003e and use a console or node with multi-universe output (Art-Net, sACN, or dedicated DMX outputs). This is standard practice for pixel-mapped fixtures at this level.\u003c\/p\u003e\n\u003ch4\u003eWiring\u003c\/h4\u003e\n\u003cp\u003eThe SF-ZW1915 provides both \u003cstrong\u003e3-pin and 5-pin XLR\u003c\/strong\u003e DMX In\/Out connectors, plus \u003cstrong\u003ePowercon In\/Out\u003c\/strong\u003e for power. Standard DMX daisy chain for signal. Powercon daisy chain for power (within circuit capacity limits). For large rigs, use DMX splitters\/boosters to maintain signal integrity and opto-isolated nodes for Art-Net\/sACN distribution.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TAB 5: FAQ \u0026 TIPS --\u003e\n\u003cdiv class=\"surgefx-tabs-content content-5\"\u003e\n\u003ch4\u003eFrequently Asked Questions\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eCan I use the SF-ZW1915 outdoors?\u003c\/strong\u003e\u003cbr\u003eThe SF-ZW1915 is designed for \u003cstrong\u003eindoor use\u003c\/strong\u003e. It does not carry an IP65 or higher weatherproof rating. Do not use it in rain, open-air venues without full overhead and side protection, or high-humidity environments. For outdoor applications, use an IP-rated fixture or ensure the SF-ZW1915 is fully protected from weather exposure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is the difference between beam, wash, and zoom modes?\u003c\/strong\u003e\u003cbr\u003eThey're all the same fixture — the \u003cstrong\u003emotorized zoom\u003c\/strong\u003e controls the beam angle. At \u003cstrong\u003e4°\u003c\/strong\u003e, the output is a tight, concentrated beam (beam mode). At \u003cstrong\u003e60°\u003c\/strong\u003e, it's a wide, smooth wash (wash mode). At anything in between, it's a focused wash of variable width. The zoom motor transitions between these angles under DMX control, so you can change from beam to wash in real time during a show. \"3-in-1\" means one fixture does all three jobs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat does \"individual LED control\" mean?\u003c\/strong\u003e\u003cbr\u003eEach of the 19 LEDs can be set to a different RGBW color independently via DMX. In \u003cstrong\u003e5-zone mode (35CH)\u003c\/strong\u003e, the LEDs are grouped into 5 sections (center LED, inner ring, outer ring segments) with independent color per zone. In \u003cstrong\u003efull pixel mode (92–99CH)\u003c\/strong\u003e, every single LED is individually addressable. This lets you create patterns, chases, and pixel-mapped graphics directly on the fixture face — not just whole-fixture color changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is RDM?\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRemote Device Management\u003c\/strong\u003e — a protocol that runs over the DMX line and allows \u003cstrong\u003ebidirectional communication\u003c\/strong\u003e between your console and the fixture. With RDM, you can remotely read and set a fixture's DMX address, channel mode, and operating parameters from the console without climbing a truss or using the fixture's onboard display. Your RDM-compatible console can also query the fixture's temperature, operating hours, and error status. It's a major efficiency gain for production rigs with fixtures in hard-to-reach positions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Powercon?\u003c\/strong\u003e\u003cbr\u003ePowercon is a \u003cstrong\u003eprofessional locking AC power connector\u003c\/strong\u003e — the industry standard for touring and production lighting. Unlike a standard Edison plug that can be pulled loose, Powercon locks into place and requires a deliberate release to disconnect. The \u003cstrong\u003ePowercon In\/Out\u003c\/strong\u003e on the SF-ZW1915 lets you daisy-chain power from fixture to fixture along a truss run without running separate power cables for each unit. Just don't exceed the circuit's total wattage capacity for the number of fixtures on the chain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow many can I run on one circuit?\u003c\/strong\u003e\u003cbr\u003eAt 450W per fixture: \u003cstrong\u003e4 on a 15A\/120V circuit\u003c\/strong\u003e, \u003cstrong\u003e5 on a 20A\/120V circuit\u003c\/strong\u003e, or \u003cstrong\u003e9 on a 20A\/208V circuit\u003c\/strong\u003e. Plan power distribution carefully — this fixture draws significantly more than a mini moving head or par light.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow heavy is it?\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e37 lbs (15 kg net)\u003c\/strong\u003e. This is a full-size professional moving head. Use appropriately rated truss, clamps, and safety cables. Two omega clamp brackets are included.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIs it quiet enough for theater?\u003c\/strong\u003e\u003cbr\u003eThe three-phase motors and temperature-responsive auto-adjusting fans are specifically designed for noise-sensitive environments. The fixture is significantly quieter than comparable moving heads using standard two-phase motors with fixed-speed fans. It's suitable for theater, broadcast, and houses of worship — though in completely silent environments (solo spoken word, recording sessions), some fan noise may still be perceptible at close range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo I need a media server for pixel mapping?\u003c\/strong\u003e\u003cbr\u003eNot necessarily. Many professional consoles (MA, ChamSys, Avolites, ETC) have built-in pixel-mapping engines that can drive the SF-ZW1915's individual LED control without a separate media server. Software controllers with pixel mapping capabilities (Resolume, MadMapper, DMXIS with pixel plugins) also work. For basic zone-based effects, the 35CH mode gives you 5 zones of independent color — no media server needed, just a standard DMX console.\u003c\/p\u003e\n\u003ch4\u003eSetup Tips\u003c\/h4\u003e\n\u003cdiv class=\"highlight\"\u003e\n\u003cstrong\u003eQuick Start (No Controller):\u003c\/strong\u003e Connect Powercon power. The fixture will initialize and perform a reset (pan\/tilt home, zoom home). Use the LCD display to select \u003cstrong\u003eAuto-Run\u003c\/strong\u003e mode. The fixture will begin cycling through built-in programs — panning, tilting, zooming, and changing colors automatically.\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePair with haze.\u003c\/strong\u003e At 4° beam angle, the SF-ZW1915 produces one of the tightest beam effects in its class. Haze makes those beams visible as defined shafts of light in the air — without it, you only see the endpoint on the wall or floor.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStart at 21CH.\u003c\/strong\u003e Use the basic channel mode until you're comfortable with pan\/tilt\/zoom\/color programming. Then step up to 35CH for zone effects, and 78–99CH for full pixel control. There's no reason to jump to 99CH if you don't need per-LED pixel mapping yet.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUse RDM for addressing.\u003c\/strong\u003e If your console supports RDM, address and configure your fixtures from the desk instead of climbing truss to reach each unit's LCD display. This is especially valuable during load-in and tech rehearsals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePowercon daisy-chain planning.\u003c\/strong\u003e At 450W per fixture on 120V, each fixture draws approximately 3.75A. A 20A circuit supports 5 fixtures daisy-chained. Label your circuits and keep a running wattage count per chain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSafety cables and clamps.\u003c\/strong\u003e At 37 lbs with moving internal components, this fixture requires rated clamps and safety cables for every overhead mount. The two included omega brackets should be supplemented with a safety cable rated for the fixture weight plus a safety margin.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eZoom during programming.\u003c\/strong\u003e Program your zoom positions deliberately — the transition from 4° to 60° is dramatic and can be used as an effect itself. A slow zoom-out from a tight beam to a wide wash creates a powerful reveal moment.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- end tabs-panels --\u003e\n\u003c\/div\u003e\n\u003c!-- end surgefx-tabs --\u003e \u003c!-- ============================================\n MOBILE ACCORDION\n ============================================ --\u003e\n\u003cdiv class=\"surgefx-accordion\"\u003e\n\u003c!-- ACCORDION 1: OVERVIEW --\u003e\n\u003cdetails open=\"\"\u003e\n\u003csummary\u003e💡 Overview\u003c\/summary\u003e\n\u003cdiv class=\"accordion-content\"\u003e\n\u003cp\u003eThe SF-ZW1915 is a \u003cstrong\u003ebeam\/wash\/zoom 3-in-1 moving head\u003c\/strong\u003e with \u003cstrong\u003e19×15W OSRAM RGBW 4-in-1 LEDs\u003c\/strong\u003e. Motorized zoom from \u003cstrong\u003e4° tight beam to 60° wide wash\u003c\/strong\u003e — one fixture replaces separate beam and wash heads. \u003cstrong\u003eBee eye rotating lens disc\u003c\/strong\u003e adds kaleidoscopic effects. \u003cstrong\u003eIndividual LED control\u003c\/strong\u003e across 5 zones (up to full per-LED pixel mapping in 99CH mode).\u003c\/p\u003e\n\u003ch4\u003eKey Features\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOSRAM LEDs\u003c\/strong\u003e — tier-one emitters with tight color binning and high reliability\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree-phase ultra-quiet motors\u003c\/strong\u003e — faster, more precise, and quieter than standard motors\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuto-adjusting fans\u003c\/strong\u003e — temperature-responsive, reducing noise in quiet environments\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRDM support\u003c\/strong\u003e — remote device management for bidirectional console communication\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePowercon In\/Out\u003c\/strong\u003e — professional locking power with daisy-chain capability\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eWho It's For\u003c\/h4\u003e\n\u003cp\u003eProduction companies, rental houses, touring rigs, theaters, large venues, houses of worship, and broadcast studios. \u003cstrong\u003e450W · 37 lbs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"highlight\"\u003e\n\u003cstrong\u003eAt a Glance:\u003c\/strong\u003e 19×15W OSRAM RGBW · beam\/wash\/zoom 3-in-1 · 4–60° motorized zoom · bee eye lens disc · per-LED pixel mapping · 540°\/210° pan\/tilt · up to 99CH DMX · RDM · Powercon · 3000–6200K · 450W · 37 lbs\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003c!-- ACCORDION 2: LIGHT \u0026 EFFECTS --\u003e\n\u003cdetails\u003e\n\u003csummary\u003e🎨 Light \u0026amp; Effects\u003c\/summary\u003e\n\u003cdiv class=\"accordion-content\"\u003e\n\u003ch4\u003eOSRAM RGBW 4-in-1\u003c\/h4\u003e\n\u003cp\u003e19 individually controllable OSRAM LEDs at 15W each. Full RGB color mixing (16.7M colors) plus dedicated white emitter. Tunable white: \u003cstrong\u003e3000K–6200K\u003c\/strong\u003e. Tight color binning across all 19 LEDs.\u003c\/p\u003e\n\u003ch4\u003eMotorized Zoom: 4° to 60°\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e4°\u003c\/strong\u003e — tight concentrated beam, maximum throw, aerial effects\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15–30°\u003c\/strong\u003e — focused wash, performer specials, set accents\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e60°\u003c\/strong\u003e — full wide-angle wash, stage floods, wall washes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eZoom transitions in real time under DMX control — beam to wash mid-show.\u003c\/p\u003e\n\u003ch4\u003eBee Eye Lens Disc\u003c\/h4\u003e\n\u003cp\u003eRotating kaleidoscopic lens splits and fans beams from all 19 LEDs. Most dramatic at narrow zoom. DMX-controllable rotation speed and direction.\u003c\/p\u003e\n\u003ch4\u003eIndividual LED Pixel Control\u003c\/h4\u003e\n\u003cp\u003e5-zone control in 35CH mode. Full per-LED RGBW in 92–99CH modes. Display arrows, numbers, letters, patterns, zone-based color schemes, and pixel-mapped effects directly on the fixture face.\u003c\/p\u003e\n\u003cp\u003e0–100% linear dimming (flicker-free). Electronic strobe. LED lifespan: \u003cstrong\u003e50,000+ hours\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003c!-- ACCORDION 3: FULL SPECS --\u003e\n\u003cdetails\u003e\n\u003csummary\u003e📐 Full Specs\u003c\/summary\u003e\n\u003cdiv class=\"accordion-content\"\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth style=\"width: 40%;\"\u003eSpec\u003c\/th\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLight Source\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19×15W OSRAM RGBW 4-in-1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e450W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAC100–240V, 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Connector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePowercon In\/Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFixture Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBeam \/ Wash \/ Zoom 3-in-1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eZoom\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4–60° (motorized)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor Temp\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3000–6200K (tunable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePixel Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5-zone + full per-LED\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePan \/ Tilt\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e540° \/ 210°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMotors\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThree-phase ultra-quiet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e21\/23\/35\/78\/92\/97\/99 CH\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRDM \/ DMX512 \/ M-S \/ Sound \/ Auto\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Connector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3-pin \u0026amp; 5-pin XLR In\/Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLCD screen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLED Lifespan\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;50,000 hours\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHousing\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHigh-temp plastic + aluminum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16.93 × 12.2 × 15.75 in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e37 lbs (15 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSFX-BEE-001\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch4\u003ePower Planning\u003c\/h4\u003e\n\u003cdiv class=\"warning-callout\"\u003e\n\u003cstrong\u003e450W per fixture.\u003c\/strong\u003e 15A\/120V → 4 fixtures. 20A\/120V → 5 fixtures. 20A\/208V → 9 fixtures. Plan power distribution carefully when daisy-chaining via Powercon.\u003c\/div\u003e\n\u003ch4\u003eWhat's in the Box\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eSF-ZW1915 Moving Head (1 unit)\u003c\/li\u003e\n\u003cli\u003ePowercon power cable\u003c\/li\u003e\n\u003cli\u003eDMX cable\u003c\/li\u003e\n\u003cli\u003eOmega clamp brackets (2)\u003c\/li\u003e\n\u003cli\u003eUser manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003c!-- ACCORDION 4: DMX \u0026 CONTROL --\u003e\n\u003cdetails\u003e\n\u003csummary\u003e🎛️ DMX \u0026amp; Control\u003c\/summary\u003e\n\u003cdiv class=\"accordion-content\"\u003e\n\u003ch4\u003eFive Control Modes\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eDMX512:\u003c\/strong\u003e 7 channel modes from 21CH (basic) to 99CH (full pixel). All functions addressable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRDM:\u003c\/strong\u003e Bidirectional — remotely read\/set DMX address, mode, and status from your console.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaster\/Slave:\u003c\/strong\u003e One controls all. No console needed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound-Active:\u003c\/strong\u003e Built-in mic triggers from music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto-Run:\u003c\/strong\u003e Built-in programs on power-up.\u003c\/p\u003e\n\u003ch4\u003eChannel Modes\u003c\/h4\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eCH\u003c\/th\u003e\n\u003cth\u003eControl Level\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e21\u003c\/td\u003e\n\u003ctd\u003eBasic — whole fixture, master RGBW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e23\u003c\/td\u003e\n\u003ctd\u003eStandard — adds CCT + programs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e35\u003c\/td\u003e\n\u003ctd\u003e5-Zone — independent RGBW per zone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e78\u003c\/td\u003e\n\u003ctd\u003eExtended pixel resolution\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e92\u003c\/td\u003e\n\u003ctd\u003eAdvanced per-LED control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e97\u003c\/td\u003e\n\u003ctd\u003eFull per-LED + all parameters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e99\u003c\/td\u003e\n\u003ctd\u003eMaximum — complete pixel mapping\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"highlight\"\u003e\n\u003cstrong\u003eUniverse planning:\u003c\/strong\u003e 21CH → 24\/universe. 35CH → 14\/universe. 99CH → 5\/universe. Use multi-universe output (Art-Net, sACN) for full pixel rigs.\u003c\/div\u003e\n\u003cp\u003e3-pin \u0026amp; 5-pin XLR In\/Out. Standard DMX daisy chain. Both connector types included for compatibility with any console or cable inventory.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003c!-- ACCORDION 5: FAQ \u0026 TIPS --\u003e\n\u003cdetails\u003e\n\u003csummary\u003e❓ FAQ \u0026amp; Tips\u003c\/summary\u003e\n\u003cdiv class=\"accordion-content\"\u003e\n\u003cp\u003e\u003cstrong\u003eCan I use it outdoors?\u003c\/strong\u003e\u003cbr\u003eIndoor use only. No weatherproof IP rating. Must be fully protected from rain, moisture, and humidity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeam vs wash vs zoom?\u003c\/strong\u003e\u003cbr\u003eSame fixture — motorized zoom controls it. 4° = beam. 60° = wash. Everything in between = adjustable focus. Transitions in real time under DMX.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is RDM?\u003c\/strong\u003e\u003cbr\u003eRemote Device Management — bidirectional DMX. Read\/set fixture address, mode, and status from your console without climbing truss.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Powercon?\u003c\/strong\u003e\u003cbr\u003eProfessional locking AC power connector. Daisy-chain power from fixture to fixture. Don't exceed circuit capacity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow many per circuit?\u003c\/strong\u003e\u003cbr\u003e4 on 15A\/120V. 5 on 20A\/120V. 9 on 20A\/208V.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQuiet enough for theater?\u003c\/strong\u003e\u003cbr\u003eThree-phase motors + auto-adjusting fans = significantly quieter than standard moving heads. Suitable for theater, broadcast, worship.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight?\u003c\/strong\u003e\u003cbr\u003e37 lbs. Use rated clamps + safety cables for all overhead mounts.\u003c\/p\u003e\n\u003cdiv class=\"highlight\"\u003e\n\u003cstrong\u003eQuick Start:\u003c\/strong\u003e Powercon in → fixture initializes → LCD display → select Auto-Run → fixture begins cycling built-in programs.\u003c\/div\u003e\n\u003ch4\u003eSetup Tips\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePair with haze\u003c\/strong\u003e — 4° beam is one of the tightest in its class. Haze makes it visible as a defined shaft.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStart at 21CH\u003c\/strong\u003e — basic mode until comfortable, then scale to 35CH zones, then 99CH pixel mapping.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUse RDM\u003c\/strong\u003e — address from the desk, not from the truss.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eZoom as an effect\u003c\/strong\u003e — slow zoom-out from 4° to 60° creates dramatic reveal moments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSafety cables always\u003c\/strong\u003e — 37 lbs with internal motors. Rated clamps + safety cable on every overhead mount.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c!-- end accordion --\u003e\n\u003cdiv class=\"surgefx-footer\"\u003eSurgeFX SF-ZW1915 Bee Eye LED Zoom Wash Moving Head — Professional Beam\/Wash\/Zoom 3-in-1\u003cbr\u003eQuestions? Call \u003cstrong\u003e(866) 577-8743\u003c\/strong\u003e or email \u003cstrong\u003einfo@surgefx.com\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- end surgefx-product-info --\u003e\n","brand":"SurgeFX","offers":[{"title":"Default Title","offer_id":49463958634794,"sku":"SFX-BEE-001","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0891\/1516\/4970\/files\/surgefx-sf-zw1915-bee-eye-led-zoom-wash-moving-head-light-hero.webp?v=1781626318"},{"product_id":"surgefx-sf-be615-mini-bee-eye-led-moving-head-light","title":"SurgeFX SF-BE615 Mini Bee Eye LED Moving Head Light","description":"\u003cstyle\u003e\n\/* ============================================\n SURGEFX RESPONSIVE TABS\/ACCORDION HYBRID\n ============================================ *\/\n\n.surgefx-product-info {\n margin: 24px 0;\n font-family: inherit;\n}\n\n.surgefx-intro {\n margin-bottom: 24px;\n line-height: 1.7;\n}\n\n.surgefx-tagline {\n font-size: 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!important;\n }\n}\n\u003c\/style\u003e\n\n\u003cdiv class=\"surgefx-product-info\"\u003e\n\n \u003cdiv class=\"surgefx-intro\"\u003e\n \u003cdiv class=\"surgefx-tagline\"\u003e6×15W RGBW MOVING HEAD. BEE EYE EFFECT. 540°\/180° PAN\/TILT. 360° INFINITE ROTATION. DMX512. $229.\u003c\/div\u003e\n \u003cp\u003eThe \u003cstrong\u003eSF-BE615\u003c\/strong\u003e is a \u003cstrong\u003emini bee eye LED moving head light\u003c\/strong\u003e — a compact motorized fixture that combines \u003cstrong\u003eRGBW color wash\u003c\/strong\u003e with the \u003cstrong\u003ebee eye kaleidoscopic beam effect\u003c\/strong\u003e in a single head that pans, tilts, and rotates continuously. \u003cstrong\u003e6×15W RGBW 4-in-1 LEDs\u003c\/strong\u003e behind a rotating multi-lens array produce splitting, fanning beam patterns that fill a room with fractured light — not a single static wash, but beams that move, rotate, and kaleidoscope in real time. \u003cstrong\u003e540° pan and 180° tilt\u003c\/strong\u003e cover the full room from any mounting position. \u003cstrong\u003e360° infinite lens rotation\u003c\/strong\u003e creates the signature bee eye spin effect. \u003cstrong\u003e6° to 51° beam spread\u003c\/strong\u003e from tight aerial beams to wide wash coverage. \u003cstrong\u003e10-channel and 17-channel DMX modes\u003c\/strong\u003e with master\/slave, sound-active, and auto-run operation. \u003cstrong\u003e~100W total power\u003c\/strong\u003e, \u003cstrong\u003e8.4 lbs\u003c\/strong\u003e, and a compact footprint that fits on small stages, DJ booths, and tight truss runs where full-size moving heads won't.\u003c\/p\u003e\n \u003c\/div\u003e\n\n \u003c!-- ============================================\n DESKTOP TABS\n ============================================ --\u003e\n \u003cdiv class=\"surgefx-tabs\"\u003e\n \u003cinput type=\"radio\" name=\"tabs\" id=\"tab1\" checked\u003e\n \u003cinput type=\"radio\" name=\"tabs\" id=\"tab2\"\u003e\n \u003cinput type=\"radio\" name=\"tabs\" id=\"tab3\"\u003e\n \u003cinput type=\"radio\" name=\"tabs\" id=\"tab4\"\u003e\n \u003cinput type=\"radio\" name=\"tabs\" id=\"tab5\"\u003e\n\n \u003cdiv class=\"surgefx-tabs-nav\"\u003e\n \u003clabel for=\"tab1\"\u003e💡 Overview\u003c\/label\u003e\n \u003clabel for=\"tab2\"\u003e🎨 Light \u0026amp; Effects\u003c\/label\u003e\n \u003clabel for=\"tab3\"\u003e📐 Full Specs\u003c\/label\u003e\n \u003clabel for=\"tab4\"\u003e🎛️ DMX \u0026amp; Control\u003c\/label\u003e\n \u003clabel for=\"tab5\"\u003e❓ FAQ \u0026amp; Tips\u003c\/label\u003e\n \u003c\/div\u003e\n\n \u003cdiv class=\"surgefx-tabs-panels\"\u003e\n\n \u003c!-- TAB 1: OVERVIEW --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-1\"\u003e\n \u003ch4\u003eWhat the SF-BE615 Is\u003c\/h4\u003e\n \u003cp\u003eThe SF-BE615 is a \u003cstrong\u003emini moving head light with a bee eye lens array\u003c\/strong\u003e. Unlike a par or wash light that sits in one position and projects a fixed pool of color, a moving head is a \u003cstrong\u003emotorized fixture\u003c\/strong\u003e — the entire head pans left\/right and tilts up\/down under DMX or automatic control, sweeping beams across the room, tracking performers, or cycling through programmed positions. The SF-BE615 adds the \u003cstrong\u003ebee eye effect\u003c\/strong\u003e on top of that movement: a rotating array of individual lenses in front of the 6 LEDs that splits the output into multiple beams, fans them outward, and spins them continuously to create kaleidoscopic, fractured light patterns.\u003c\/p\u003e\n\n \u003cp\u003eThe result is a fixture that produces \u003cstrong\u003ethree layers of motion simultaneously\u003c\/strong\u003e: the head pans and tilts (positioning), the lens array rotates (beam splitting and fanning), and the RGBW color mixing changes (color effects). All three layers can operate independently or in sync, creating complex visual movement from a single compact unit.\u003c\/p\u003e\n\n \u003ch4\u003eBee Eye Effect — What It Actually Does\u003c\/h4\u003e\n \u003cp\u003eThe \"bee eye\" name comes from the \u003cstrong\u003ecompound lens design\u003c\/strong\u003e — six individual lenses arranged in a cluster, one in front of each LED, resembling the compound eye structure of an insect. Each lens refracts its LED's output at a slightly different angle. When the lens array \u003cstrong\u003erotates 360° continuously\u003c\/strong\u003e, these individual beams fan out, overlap, separate, and recombine in a spinning kaleidoscope pattern. The effect is especially dramatic in haze or fog, where each individual beam becomes visible as a distinct ray of light sweeping through the air.\u003c\/p\u003e\n\n \u003cp\u003eAt the \u003cstrong\u003enarrow end (6°)\u003c\/strong\u003e, the bee eye produces tight, punchy aerial beams that cut through space — visible shafts of light that rotate and sweep. At the \u003cstrong\u003ewide end (51°)\u003c\/strong\u003e, the beams spread into an overlapping wash with a textured, faceted quality that's more dynamic than a flat par wash. The bee eye effect is what separates this fixture from a standard mini moving head wash — it adds visual complexity and motion that a flat-face wash head can't produce.\u003c\/p\u003e\n\n \u003ch4\u003eWho It's For\u003c\/h4\u003e\n \u003cp\u003eMobile DJs, small-to-mid-size event production, bands, clubs, bars, churches, theaters, and anyone who wants \u003cstrong\u003emoving, dynamic beam effects\u003c\/strong\u003e without the size, weight, and cost of full-size moving heads. The SF-BE615 weighs \u003cstrong\u003e8.4 lbs\u003c\/strong\u003e and runs on \u003cstrong\u003e~100W\u003c\/strong\u003e — you can run multiple units on a single circuit, mount them on lightweight truss or T-bars, and transport them easily. This is the fixture that turns a static lighting rig into a dynamic light show.\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eAt a Glance:\u003c\/strong\u003e 6×15W RGBW 4-in-1 · bee eye rotating lens array · 540°\/180° pan\/tilt · 360° infinite rotation · 6°–51° beam angle · 10\/17CH DMX · master\/slave · sound-active · auto-run · ~100W · 8.4 lbs · IP33 · $229\n \u003c\/div\u003e\n \u003c\/div\u003e\n\n \u003c!-- TAB 2: LIGHT \u0026 EFFECTS --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-2\"\u003e\n \u003ch4\u003eRGBW 4-in-1 Color System\u003c\/h4\u003e\n \u003cp\u003eThe SF-BE615 uses \u003cstrong\u003e6×15W RGBW 4-in-1 LEDs\u003c\/strong\u003e — each LED contains red, green, blue, and white emitters in a single package. Full RGB spectrum mixing gives you any color (16.7 million combinations), and the dedicated white emitter produces clean whites without the color tint of RGB-only mixing. The white channel also lets you create pastel tints (saturated color + white) and adjust color temperature for warmer or cooler looks.\u003c\/p\u003e\n\n \u003ch4\u003eBeam Angle: 6° to 51°\u003c\/h4\u003e\n \u003cp\u003eThe SF-BE615's beam angle range spans from a \u003cstrong\u003etight 6° beam\u003c\/strong\u003e to a \u003cstrong\u003ewide 51° wash\u003c\/strong\u003e. This range is created by the interaction between the LED optics and the bee eye lens array position:\u003c\/p\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003e6° (narrow)\u003c\/strong\u003e — Tight, punchy beams. This is the aerial beam mode — visible shafts of light that cut through haze and fog. Maximum intensity, minimum spread. Best for beam shows, aerial effects, and dramatic sweeps across the room.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003e51° (wide)\u003c\/strong\u003e — Broad, overlapping wash. The individual beams fan out and merge into a wide field of textured, faceted color. Best for stage washes, dance floor fills, and wide area coverage where you want color with movement rather than defined beam shafts.\u003c\/li\u003e\n \u003c\/ul\u003e\n\n \u003ch4\u003e360° Infinite Lens Rotation\u003c\/h4\u003e\n \u003cp\u003eThe bee eye lens array \u003cstrong\u003erotates continuously in either direction\u003c\/strong\u003e — not limited to a fixed arc, but a full 360° infinite spin. This rotation is what creates the kaleidoscope effect: as the lenses spin, the individual beams sweep, cross, separate, and recombine in constantly changing patterns. The rotation speed is DMX-controllable, from a slow, hypnotic crawl to a fast, energetic spin. Combined with RGBW color changes and pan\/tilt movement, the rotation adds a third axis of visual motion that makes the fixture feel alive.\u003c\/p\u003e\n\n \u003ch4\u003ePan\/Tilt Movement\u003c\/h4\u003e\n \u003cp\u003eThe motorized head provides \u003cstrong\u003e540° pan (horizontal)\u003c\/strong\u003e and \u003cstrong\u003e180° tilt (vertical)\u003c\/strong\u003e movement. The pan range of 540° means the head can sweep one and a half full rotations in either direction — more than enough to cover any room from any mounting position without dead zones. The 180° tilt range lets the head aim straight down (for floor effects from overhead), straight out (horizontal beams), and everywhere in between.\u003c\/p\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003ePan speed:\u003c\/strong\u003e Full 540° sweep in approximately 1.5 seconds at maximum speed\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eTilt speed:\u003c\/strong\u003e Full 180° sweep in approximately 0.5 seconds at maximum speed\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003cp\u003eBoth pan and tilt support \u003cstrong\u003e16-bit fine control\u003c\/strong\u003e in 17-channel DMX mode, which enables smooth, precise positioning without the stepping or stuttering that 8-bit control can produce during slow movements.\u003c\/p\u003e\n\n \u003ch4\u003eStrobe \u0026amp; Dimming\u003c\/h4\u003e\n \u003cp\u003eThe SF-BE615 includes \u003cstrong\u003eelectronic strobe from 1–30 flashes per second\u003c\/strong\u003e with random strobe capability, plus \u003cstrong\u003e0–100% linear dimming\u003c\/strong\u003e for smooth fades and intensity control. The linear dimming curve ensures gradual, flicker-free transitions — important for slow fades during ceremonies, speeches, and any moment where abrupt lighting changes would be disruptive.\u003c\/p\u003e\n\n \u003ch4\u003eLED Lifespan\u003c\/h4\u003e\n \u003cp\u003eThe RGBW LEDs are rated for \u003cstrong\u003e50,000+ hours\u003c\/strong\u003e of operation. At 8 hours of use per day, that's over 17 years before the LEDs reach end of life.\u003c\/p\u003e\n \u003c\/div\u003e\n\n \u003c!-- TAB 3: FULL SPECS --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-3\"\u003e\n \u003ch4\u003eComplete Specifications\u003c\/h4\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth style=\"width:40%;\"\u003eSpecification\u003c\/th\u003e\n \u003cth\u003eDetail\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLight Source\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6×15W RGBW 4-in-1 LED\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~100W\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAC100–240V, 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBeam Angle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6°–51°\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCRI\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor Temperature\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4100K (neutral white)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor System\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRGBW 4-in-1 (16.7 million colors)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePan Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e540°\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTilt Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e180°\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Rotation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e360° infinite (bi-directional)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePan Speed\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e540° in ~1.5 seconds\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTilt Speed\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e180° in ~0.5 seconds\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStrobe\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1–30 flashes\/sec + random strobe\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimming\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0–100% linear\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10CH \/ 17CH\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControl Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDMX512 \/ Master-Slave \/ Sound-Active \/ Auto-Run\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Connector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3-pin XLR In\/Out\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLED display (4-button control)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLED Lifespan\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;50,000 hours\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIP Rating\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIP33\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHousing\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminum + ABS plastic, black\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eYoke bracket with omega clamp points\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10.24 × 10.63 × 13.78 in (26 × 27 × 35 cm)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8.4 lbs (3.8 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSFX-BEE-002\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003ch4\u003eIP33 Rating\u003c\/h4\u003e\n \u003cp\u003eThe SF-BE615 is rated \u003cstrong\u003eIP33\u003c\/strong\u003e, which provides protection against solid objects larger than 2.5mm and protection against water spray at angles up to 60° from vertical. This is a \u003cstrong\u003eminimal splash protection rating\u003c\/strong\u003e — it means the fixture can tolerate incidental drips or very light spray, but it is \u003cstrong\u003enot weatherproof\u003c\/strong\u003e. Do not use in rain, outdoors without full cover, or in high-humidity environments. The SF-BE615 is designed for \u003cstrong\u003eindoor stages, venues, clubs, and controlled event spaces\u003c\/strong\u003e.\u003c\/p\u003e\n\n \u003ch4\u003ePower Planning\u003c\/h4\u003e\n \u003cp\u003eAt approximately \u003cstrong\u003e100W per fixture\u003c\/strong\u003e, power planning is straightforward:\u003c\/p\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003e15A \/ 120V circuit (1,800W):\u003c\/strong\u003e supports up to \u003cstrong\u003e18 fixtures\u003c\/strong\u003e\n\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003e20A \/ 120V circuit (2,400W):\u003c\/strong\u003e supports up to \u003cstrong\u003e24 fixtures\u003c\/strong\u003e\n\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003cp\u003eAt under 1 amp per fixture on 120V, power is rarely a limiting factor with the SF-BE615. You'll run out of DMX channels (512 per universe) before you run out of power capacity.\u003c\/p\u003e\n\n \u003ch4\u003eWhat's in the Box\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003eSF-BE615 Mini Bee Eye Moving Head Light (1 unit)\u003c\/li\u003e\n \u003cli\u003ePower cable\u003c\/li\u003e\n \u003cli\u003eDMX cable\u003c\/li\u003e\n \u003cli\u003eYoke mounting bracket with hardware\u003c\/li\u003e\n \u003cli\u003eUser manual\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n\n \u003c!-- TAB 4: DMX \u0026 CONTROL --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-4\"\u003e\n \u003ch4\u003eControl Modes\u003c\/h4\u003e\n \u003cp\u003eThe SF-BE615 supports \u003cstrong\u003efour control modes\u003c\/strong\u003e, selectable via the rear-panel LED display:\u003c\/p\u003e\n\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth style=\"width:28%;\"\u003eMode\u003c\/th\u003e\n \u003cth\u003eHow It Works\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eDMX512\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eFull external control via wired DMX (3-pin XLR). All functions — pan, tilt, rotation, color, dimming, strobe, speed — are individually addressable from your console. Available in \u003cstrong\u003e10-channel\u003c\/strong\u003e (basic) or \u003cstrong\u003e17-channel\u003c\/strong\u003e (extended with fine positioning) modes.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eMaster\/Slave\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eOne fixture acts as the master; all connected fixtures mirror its behavior via DMX daisy chain. No console needed. The master runs its own program or manual settings, and every slave follows in sync. Useful for synchronized multi-head shows without a controller.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eSound-Active\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eBuilt-in microphone triggers movement, color changes, and effects in response to ambient audio (music, beats). The fixture reacts to bass hits and volume levels automatically. No controller or DMX connection required.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eAuto-Run\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eBuilt-in preprogrammed sequences run on power-up — the fixture pans, tilts, rotates, and changes colors through its internal program library automatically. Plug in and go. No controller, no DMX, no audio input needed.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003ch4\u003eDMX Channel Layout — 10CH Mode (Basic)\u003c\/h4\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth\u003eChannel\u003c\/th\u003e\n \u003cth\u003eFunction\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 1\u003c\/td\u003e\n\u003ctd\u003ePan (0–540°)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 2\u003c\/td\u003e\n\u003ctd\u003eTilt (0–180°)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 3\u003c\/td\u003e\n\u003ctd\u003eMaster Dimmer (0–100%)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 4\u003c\/td\u003e\n\u003ctd\u003eRed (0–255)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 5\u003c\/td\u003e\n\u003ctd\u003eGreen (0–255)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 6\u003c\/td\u003e\n\u003ctd\u003eBlue (0–255)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 7\u003c\/td\u003e\n\u003ctd\u003eWhite (0–255)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 8\u003c\/td\u003e\n\u003ctd\u003eStrobe (off → slow → fast)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 9\u003c\/td\u003e\n\u003ctd\u003eLens Rotation (direction + speed)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003eCH 10\u003c\/td\u003e\n\u003ctd\u003eAuto Programs \/ Color Macros\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003ch4\u003eDMX Channel Layout — 17CH Mode (Extended)\u003c\/h4\u003e\n \u003cp\u003eThe 17-channel mode adds \u003cstrong\u003e16-bit fine control\u003c\/strong\u003e for pan and tilt (separate coarse and fine channels), plus additional dedicated channels for program speed, movement macros, and reset functions. This is the mode to use when you need \u003cstrong\u003esmooth, precise positioning\u003c\/strong\u003e — the fine channels give you 65,536 steps of resolution on pan and tilt instead of the 256 steps in 10-channel mode. The difference is visible during slow sweeps and precise position holds, where 8-bit control can produce visible stepping.\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eDMX Addressing:\u003c\/strong\u003e In 10CH mode — first fixture at 001, second at 011, third at 021 (incrementing by 10). One universe supports \u003cstrong\u003e51 individually addressed fixtures\u003c\/strong\u003e. In 17CH mode — first at 001, second at 018, third at 035 (incrementing by 17). One universe supports \u003cstrong\u003e30 individually addressed fixtures\u003c\/strong\u003e.\n \u003c\/div\u003e\n\n \u003ch4\u003eWiring — DMX Daisy Chain\u003c\/h4\u003e\n \u003cp\u003eThe SF-BE615 has \u003cstrong\u003e3-pin XLR DMX In and DMX Out\u003c\/strong\u003e connectors. Connect your console's DMX output to the first fixture's DMX In, then daisy-chain from each fixture's DMX Out to the next fixture's DMX In. For runs exceeding 300 feet total cable length or chains exceeding 32 fixtures, use a DMX splitter\/booster. Terminate the last fixture in the chain with a 120-ohm DMX terminator if you experience erratic behavior.\u003c\/p\u003e\n\n \u003ch4\u003eMoving Head Programming Tips\u003c\/h4\u003e\n \u003cp\u003eMoving heads require more programming than static fixtures because they have \u003cstrong\u003eposition channels (pan\/tilt) in addition to color and intensity\u003c\/strong\u003e. A few practical notes:\u003c\/p\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003eStart with positions.\u003c\/strong\u003e Before programming color or effects, set your pan\/tilt positions first. Determine where you want the beams to point during different song sections or event phases, and save those as scenes or cues on your console.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eUse 17CH mode for slow movements.\u003c\/strong\u003e If your show includes slow, dramatic sweeps or precise position holds (ceremonies, ballads, speeches), the 16-bit fine channels prevent visible stepping artifacts.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003e10CH mode is fine for fast shows.\u003c\/strong\u003e For DJ sets, dance parties, and high-energy shows with fast movement, the 8-bit resolution of 10CH mode is more than adequate — the speed of movement hides any stepping.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eLens rotation speed matters.\u003c\/strong\u003e Slow rotation creates a hypnotic, flowing effect. Fast rotation creates high-energy visual chaos. Match the rotation speed to the energy of the moment.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eHaze makes it.\u003c\/strong\u003e Moving head beam effects are dramatically more visible in haze or fog. Without atmospheric haze, you see the beam endpoints (the spots on walls\/floors) but not the beams in the air. With haze, every beam becomes a visible shaft of light — and the bee eye effect goes from subtle to spectacular.\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n\n \u003c!-- TAB 5: FAQ \u0026 TIPS --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-5\"\u003e\n \u003ch4\u003eFrequently Asked Questions\u003c\/h4\u003e\n\n \u003cp\u003e\u003cstrong\u003eCan I use the SF-BE615 outdoors?\u003c\/strong\u003e\u003cbr\u003e\n The SF-BE615 is rated \u003cstrong\u003eIP33\u003c\/strong\u003e, which provides minimal splash protection but is \u003cstrong\u003enot weatherproof\u003c\/strong\u003e. It can tolerate incidental drips in a covered environment, but it should not be used in rain, open-air venues without full overhead protection, or high-humidity conditions. For outdoor use, choose an IP65-rated fixture.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eWhat is the \"bee eye\" effect?\u003c\/strong\u003e\u003cbr\u003e\n The bee eye is a \u003cstrong\u003erotating multi-lens array\u003c\/strong\u003e in front of the LEDs. Each lens refracts its LED's beam at a different angle. When the array rotates, these individual beams split, fan, cross, and recombine in a continuous kaleidoscope pattern. The effect is most dramatic in haze, where each beam is visible as a distinct shaft of spinning light. It adds visual complexity and motion that a standard flat-face wash head cannot produce.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eHow is this different from a regular moving head wash?\u003c\/strong\u003e\u003cbr\u003e\n A standard moving head wash produces a single, smooth field of color — like a motorized par light that can pan and tilt. The SF-BE615 adds the \u003cstrong\u003erotating bee eye lens array\u003c\/strong\u003e, which splits the wash into multiple individual beams and spins them. This creates textured, faceted, kaleidoscopic patterns instead of a flat wash. It's the difference between a smooth pool of color and a dynamic, fractured beam show.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eDo I need a DMX controller?\u003c\/strong\u003e\u003cbr\u003e\n Not necessarily. Sound-active mode responds to music through a built-in mic, auto-run plays built-in programs on power-up, and master\/slave lets one unit control others without a console. However, a DMX controller unlocks the fixture's full potential — precise pan\/tilt positioning, individual color control, rotation speed, and the ability to program cues and scenes for a coordinated show. For anything beyond basic DJ use, a controller is strongly recommended.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eWhat DMX controller works with this?\u003c\/strong\u003e\u003cbr\u003e\n Any standard DMX512 controller with 3-pin XLR output. Hardware consoles (ADJ, Chauvet, professional desks), USB-to-DMX interfaces (Enttec, DMXIS), and software controllers (QLC+, SoundSwitch, LightKey, myDMX) all work. Many moving head controllers have dedicated pan\/tilt joystick or fader controls that make positioning much easier than trying to enter raw DMX values.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eHow many can I run on one power circuit?\u003c\/strong\u003e\u003cbr\u003e\n At ~100W per fixture: up to \u003cstrong\u003e18 on a 15A\/120V circuit\u003c\/strong\u003e or \u003cstrong\u003e24 on a 20A\/120V circuit\u003c\/strong\u003e. Power is not typically the limiting factor with these fixtures.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eHow do I mount it?\u003c\/strong\u003e\u003cbr\u003e\n The SF-BE615 comes with a yoke bracket that works in two ways: \u003cstrong\u003estanding on a flat surface\u003c\/strong\u003e (the yoke acts as a base) or \u003cstrong\u003ehanging from truss\/pipe\u003c\/strong\u003e using a standard lighting clamp (C-clamp, O-clamp, or trigger clamp — sold separately) attached to the yoke. The fixture can also mount on a standard T-bar or lighting stand with the appropriate adapter. Always use a safety cable when mounting overhead.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eIs it noisy?\u003c\/strong\u003e\u003cbr\u003e\n The SF-BE615 uses internal cooling fans that produce some operational noise. In a loud environment (DJ set, concert, club), the fan noise is inaudible. In a quiet environment (ceremony, speech, theater), the fans may be faintly audible at close range. This is typical of all motorized fixtures — the motors for pan, tilt, and lens rotation also produce some mechanical noise during movement.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eHow heavy is it?\u003c\/strong\u003e\u003cbr\u003e\n \u003cstrong\u003e8.4 lbs (3.8 kg)\u003c\/strong\u003e. Compact and light enough for T-bars, lightweight truss, and easy transport.\u003c\/p\u003e\n\n \u003ch4\u003eSetup Tips\u003c\/h4\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eQuick Start (No Controller):\u003c\/strong\u003e Plug the SF-BE615 into AC power. Use the rear LED display to select \u003cstrong\u003eAuto-Run\u003c\/strong\u003e mode. The fixture will immediately begin panning, tilting, rotating, and cycling colors through its built-in programs. For sound-reactive operation, switch to \u003cstrong\u003eSound-Active\u003c\/strong\u003e mode — the fixture will respond to music and beat patterns through its built-in microphone.\n \u003c\/div\u003e\n\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003ePair with haze.\u003c\/strong\u003e This is the single most impactful thing you can do for any moving head or bee eye fixture. Atmospheric haze makes every beam visible in the air. Without it, you only see the endpoints on walls and floors. With it, the bee eye rotation becomes a full 3D light sculpture.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eMinimum two fixtures.\u003c\/strong\u003e Moving heads look best in multiples. Two SF-BE615 units (one on each side of a stage or DJ booth) create crossing beam patterns and symmetrical movement that a single fixture can't achieve.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eMount high when possible.\u003c\/strong\u003e Elevating moving heads on truss, T-bars, or tall stands gives the beams maximum travel distance and visibility. Floor-mounted moving heads still work, but the beams travel upward rather than sweeping across the audience's field of view.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eSafety cable always.\u003c\/strong\u003e Any fixture mounted above people — regardless of weight — must have a secondary safety cable attachment. The SF-BE615 weighs 8.4 lbs and contains motors that create vibration during operation. The safety cable is non-negotiable for overhead mounting.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eMaster\/slave for easy sync.\u003c\/strong\u003e If you have multiple SF-BE615 units but no DMX controller, use master\/slave mode. Set one fixture as master, connect the others via DMX cable, and set them to slave. All units will run the same programs in sync — coordinated movement without any programming.\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n\n \u003c\/div\u003e\n\u003c!-- end tabs-panels --\u003e\n \u003c\/div\u003e\n\u003c!-- end surgefx-tabs --\u003e\n\n \u003c!-- ============================================\n MOBILE ACCORDION\n ============================================ --\u003e\n \u003cdiv class=\"surgefx-accordion\"\u003e\n\n \u003c!-- ACCORDION 1: OVERVIEW --\u003e\n \u003cdetails open\u003e\n \u003csummary\u003e💡 Overview\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003cp\u003eThe SF-BE615 is a \u003cstrong\u003emini moving head light with a bee eye lens array\u003c\/strong\u003e. A motorized head \u003cstrong\u003epans 540° and tilts 180°\u003c\/strong\u003e under DMX or automatic control, sweeping beams across the room. The bee eye effect — a \u003cstrong\u003erotating multi-lens array\u003c\/strong\u003e in front of 6 LEDs — splits the output into multiple beams and spins them continuously, creating kaleidoscopic, fractured light patterns.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eThree layers of motion:\u003c\/strong\u003e the head pans and tilts (positioning), the lens array rotates 360° infinitely (beam splitting), and the RGBW color mixing changes (color effects). All three operate independently or in sync from a single compact fixture.\u003c\/p\u003e\n\n \u003ch4\u003eBee Eye Effect\u003c\/h4\u003e\n \u003cp\u003eSix individual lenses — one per LED — arranged in a cluster. Each refracts its beam at a different angle. When the array \u003cstrong\u003erotates continuously\u003c\/strong\u003e, the beams fan out, overlap, separate, and recombine in a spinning kaleidoscope pattern. Especially dramatic in haze or fog, where each beam becomes a distinct visible ray.\u003c\/p\u003e\n\n \u003ch4\u003eWho It's For\u003c\/h4\u003e\n \u003cp\u003eMobile DJs, event production, bands, clubs, bars, churches, theaters. \u003cstrong\u003e8.4 lbs\u003c\/strong\u003e, \u003cstrong\u003e~100W\u003c\/strong\u003e, compact enough for small stages, DJ booths, and lightweight truss.\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eAt a Glance:\u003c\/strong\u003e 6×15W RGBW 4-in-1 · bee eye lens · 540°\/180° pan\/tilt · 360° infinite rotation · 6°–51° beam · 10\/17CH DMX · ~100W · 8.4 lbs · IP33 · $229\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c!-- ACCORDION 2: LIGHT \u0026 EFFECTS --\u003e\n \u003cdetails\u003e\n \u003csummary\u003e🎨 Light \u0026amp; Effects\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003ch4\u003eRGBW 4-in-1 Color\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003e6×15W RGBW 4-in-1 LEDs\u003c\/strong\u003e — full RGB spectrum mixing (16.7M colors) plus dedicated white emitter for clean whites. CRI 80. 4100K neutral white point.\u003c\/p\u003e\n\n \u003ch4\u003eBeam Angle: 6° to 51°\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003e6° (narrow)\u003c\/strong\u003e — tight aerial beams, maximum intensity, beam shows in haze\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003e51° (wide)\u003c\/strong\u003e — broad textured wash, stage fills, dance floor coverage\u003c\/li\u003e\n \u003c\/ul\u003e\n\n \u003ch4\u003e360° Infinite Lens Rotation\u003c\/h4\u003e\n \u003cp\u003eBee eye lens array rotates continuously in either direction. DMX-controllable speed from slow hypnotic crawl to fast energetic spin. Creates the signature kaleidoscope effect.\u003c\/p\u003e\n\n \u003ch4\u003ePan\/Tilt Movement\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003e540° pan\u003c\/strong\u003e (~1.5 sec full sweep) · \u003cstrong\u003e180° tilt\u003c\/strong\u003e (~0.5 sec full sweep). 16-bit fine control available in 17CH mode for smooth, precise positioning.\u003c\/p\u003e\n\n \u003ch4\u003eStrobe \u0026amp; Dimming\u003c\/h4\u003e\n \u003cp\u003e1–30 flashes\/sec electronic strobe + random strobe. 0–100% linear dimming, smooth and flicker-free. LED lifespan: \u003cstrong\u003e50,000+ hours\u003c\/strong\u003e.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c!-- ACCORDION 3: FULL SPECS --\u003e\n \u003cdetails\u003e\n \u003csummary\u003e📐 Full Specs\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth style=\"width:40%;\"\u003eSpec\u003c\/th\u003e\n \u003cth\u003eDetail\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLight Source\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6×15W RGBW 4-in-1 LED\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~100W\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAC100–240V, 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBeam Angle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6°–51°\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCRI\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e80\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor Temp\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4100K (neutral white)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor System\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRGBW 4-in-1 (16.7M colors)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePan \/ Tilt\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e540° \/ 180°\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Rotation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e360° infinite\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStrobe\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1–30 Hz + random\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimming\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0–100% linear\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10CH \/ 17CH\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDMX512 \/ Master-Slave \/ Sound \/ Auto\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Connector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3-pin XLR In\/Out\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLED display (4-button)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLED Lifespan\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;50,000 hours\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIP Rating\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIP33\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHousing\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAluminum + ABS, black\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e10.24 × 10.63 × 13.78 in\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8.4 lbs (3.8 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSFX-BEE-002\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003ch4\u003eIP33 — Indoor Use\u003c\/h4\u003e\n \u003cp\u003eMinimal splash protection, not weatherproof. Indoor stages, venues, clubs, and controlled spaces only. Do not use in rain or high humidity.\u003c\/p\u003e\n\n \u003ch4\u003ePower Planning\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003e15A \/ 120V:\u003c\/strong\u003e up to 18 fixtures\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003e20A \/ 120V:\u003c\/strong\u003e up to 24 fixtures\u003c\/li\u003e\n \u003c\/ul\u003e\n\n \u003ch4\u003eWhat's in the Box\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003eSF-BE615 Mini Bee Eye Moving Head (1 unit)\u003c\/li\u003e\n \u003cli\u003ePower cable\u003c\/li\u003e\n \u003cli\u003eDMX cable\u003c\/li\u003e\n \u003cli\u003eYoke mounting bracket + hardware\u003c\/li\u003e\n \u003cli\u003eUser manual\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c!-- ACCORDION 4: DMX \u0026 CONTROL --\u003e\n \u003cdetails\u003e\n \u003csummary\u003e🎛️ DMX \u0026amp; Control\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003ch4\u003eFour Control Modes\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003eDMX512:\u003c\/strong\u003e Full external control. 10CH (basic) or 17CH (extended with 16-bit fine positioning). All functions individually addressable.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eMaster\/Slave:\u003c\/strong\u003e One fixture controls all connected units. No console needed.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eSound-Active:\u003c\/strong\u003e Built-in mic triggers movement and color changes from music.\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eAuto-Run:\u003c\/strong\u003e Built-in programs on power-up. Plug in and go.\u003c\/p\u003e\n\n \u003ch4\u003e10CH DMX Layout (Basic)\u003c\/h4\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth\u003eCH\u003c\/th\u003e\n \u003cth\u003eFunction\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003ctd\u003ePan (0–540°)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003ctd\u003eTilt (0–180°)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003ctd\u003eMaster Dimmer\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003ctd\u003eRed\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e5\u003c\/td\u003e\n\u003ctd\u003eGreen\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e6\u003c\/td\u003e\n\u003ctd\u003eBlue\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e7\u003c\/td\u003e\n\u003ctd\u003eWhite\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003ctd\u003eStrobe\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e9\u003c\/td\u003e\n\u003ctd\u003eLens Rotation\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003ctd\u003eAuto Programs \/ Macros\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003cp\u003e\u003cstrong\u003e17CH mode\u003c\/strong\u003e adds 16-bit fine pan\/tilt channels, program speed, movement macros, and reset functions for smooth, precise control during slow movements.\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eAddressing:\u003c\/strong\u003e 10CH mode — first at 001, second at 011, third at 021 (up to 51 per universe). 17CH mode — first at 001, second at 018, third at 035 (up to 30 per universe).\n \u003c\/div\u003e\n\n \u003cp\u003eStandard 3-pin XLR daisy chain. Use a splitter for runs over 300 ft or 32+ fixtures. Terminate the last fixture with a 120-ohm DMX terminator if needed.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c!-- ACCORDION 5: FAQ \u0026 TIPS --\u003e\n \u003cdetails\u003e\n \u003csummary\u003e❓ FAQ \u0026amp; Tips\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003cp\u003e\u003cstrong\u003eCan I use it outdoors?\u003c\/strong\u003e\u003cbr\u003e\n IP33 — minimal splash protection only. Indoor use or fully covered environments. Not weatherproof.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eWhat is the bee eye effect?\u003c\/strong\u003e\u003cbr\u003e\n A rotating multi-lens array that splits LEDs into multiple beams and spins them in a kaleidoscope pattern. Most dramatic in haze.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eDo I need a controller?\u003c\/strong\u003e\u003cbr\u003e\n No — sound-active, auto-run, and master\/slave all work without one. But a DMX controller is strongly recommended for precise positioning and coordinated shows.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eHow many per circuit?\u003c\/strong\u003e\u003cbr\u003e\n 18 on 15A\/120V. 24 on 20A\/120V.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eIs it noisy?\u003c\/strong\u003e\u003cbr\u003e\n Cooling fans and motors produce some operational noise. Inaudible in loud environments. Faintly audible at close range in quiet settings.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eWeight?\u003c\/strong\u003e\u003cbr\u003e\n 8.4 lbs (3.8 kg).\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eQuick Start:\u003c\/strong\u003e Plug in → select Auto-Run on rear display → fixture immediately begins panning, tilting, rotating, and cycling colors. For music-reactive: switch to Sound-Active mode.\n \u003c\/div\u003e\n\n \u003ch4\u003eSetup Tips\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003ePair with haze\u003c\/strong\u003e — the #1 thing you can do. Beams become visible 3D shafts of light. Bee eye rotation becomes a full light sculpture.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eUse at least two\u003c\/strong\u003e — crossing beam patterns and symmetrical movement from two units dramatically outperform a single fixture.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eMount high\u003c\/strong\u003e — elevated fixtures give beams maximum travel and visibility across the audience's field of view.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eSafety cable always\u003c\/strong\u003e — non-negotiable for overhead mounting. Motors create vibration during operation.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eMaster\/slave for easy sync\u003c\/strong\u003e — multiple units, no controller: set one as master, daisy-chain the rest as slaves.\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c\/div\u003e\n\u003c!-- end accordion --\u003e\n\n \u003cdiv class=\"surgefx-footer\"\u003e\n SurgeFX SF-BE615 Mini Bee Eye LED Moving Head Light — Dynamic Beam \u0026amp; Wash Effects\u003cbr\u003e\n Questions? Call \u003cstrong\u003e(866) 577-8743\u003c\/strong\u003e or email \u003cstrong\u003einfo@surgefx.com\u003c\/strong\u003e\n \u003c\/div\u003e\n\n\u003c\/div\u003e\u003c!-- end surgefx-product-info --\u003e\n","brand":"SurgeFX","offers":[{"title":"Default Title","offer_id":49464003952938,"sku":"SFX-BEE-002","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0891\/1516\/4970\/files\/surgefx-sf-be615-mini-bee-eye-moving-head-light-hero.webp?v=1783955387"},{"product_id":"surgefx-sf-rl6-retro-lamps","title":"SurgeFX RetroLux 6 Retro Lamps","description":"\u003cstyle\u003e\n\/* ============================================\n SURGEFX RESPONSIVE TABS\/ACCORDION HYBRID\n ============================================ *\/\n\n.surgefx-product-info {\n margin: 24px 0;\n font-family: inherit;\n}\n\n.surgefx-intro {\n margin-bottom: 24px;\n line-height: 1.7;\n}\n\n.surgefx-tagline {\n font-size: 1.15em;\n font-weight: 700;\n color: #000000;\n 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class=\"surgefx-product-info\"\u003e\n\n \u003cdiv class=\"surgefx-intro\"\u003e\n \u003cdiv class=\"surgefx-tagline\"\u003e6×100W WARM WHITE COB + 144 RGB LEDs. NEARLY 6 FEET TALL. CRI 95. DMX PIXEL CONTROL.\u003c\/div\u003e\n \u003cp\u003eThe \u003cstrong\u003eRetroLux 6\u003c\/strong\u003e is a \u003cstrong\u003evintage-inspired LED stage lamp\u003c\/strong\u003e that doubles as a professional lighting fixture and a visual design element. \u003cstrong\u003eSix 100-watt warm white COB lamps\u003c\/strong\u003e produce a rich, golden glow reminiscent of classic stage lighting — the kind of warm, flattering light that makes everything it touches look better. \u003cstrong\u003e144 RGB SMD LEDs\u003c\/strong\u003e surrounding each lamp head add full-color pixel effects: chases, strobes, color washes, and programmable patterns. Standing \u003cstrong\u003enearly 6 feet tall\u003c\/strong\u003e with a \u003cstrong\u003eCRI of 95\u003c\/strong\u003e, the RetroLux 6 is designed to be seen — a statement piece that transforms stages, backdrops, head tables, and event spaces into something unforgettable. \u003cstrong\u003eDMX-512 with up to 114-channel pixel control\u003c\/strong\u003e gives lighting designers full creative authority over every COB segment and every RGB zone independently.\u003c\/p\u003e\n \u003c\/div\u003e\n\n \u003c!-- ============================================\n DESKTOP: HORIZONTAL TABS\n ============================================ --\u003e\n \u003cdiv class=\"surgefx-tabs\"\u003e\n \u003cinput type=\"radio\" id=\"tab1\" name=\"surgefx-tab\" checked\u003e\n \u003cinput type=\"radio\" id=\"tab2\" name=\"surgefx-tab\"\u003e\n \u003cinput type=\"radio\" id=\"tab3\" name=\"surgefx-tab\"\u003e\n \u003cinput type=\"radio\" id=\"tab4\" name=\"surgefx-tab\"\u003e\n \u003cinput type=\"radio\" id=\"tab5\" name=\"surgefx-tab\"\u003e\n\n \u003cdiv class=\"surgefx-tabs-nav\"\u003e\n \u003clabel for=\"tab1\"\u003e💡 Overview \u0026amp; Design\u003c\/label\u003e\n \u003clabel for=\"tab2\"\u003e🎨 Light \u0026amp; Color\u003c\/label\u003e\n \u003clabel for=\"tab3\"\u003e📐 Full Specs\u003c\/label\u003e\n \u003clabel for=\"tab4\"\u003e🎛️ DMX \u0026amp; Control\u003c\/label\u003e\n \u003clabel for=\"tab5\"\u003e❓ FAQ \u0026amp; Tips\u003c\/label\u003e\n \u003c\/div\u003e\n\n \u003cdiv class=\"surgefx-tabs-panels\"\u003e\n\n \u003c!-- TAB 1: OVERVIEW \u0026 DESIGN --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-1\"\u003e\n \u003ch4\u003eWhat the RetroLux 6 Does\u003c\/h4\u003e\n \u003cp\u003eThe RetroLux 6 is a \u003cstrong\u003evertical LED retro lamp\u003c\/strong\u003e — a tall, freestanding (or wall-mounted) lighting fixture with six oversized warm white COB lamp heads arranged in a column, each surrounded by a ring of RGB LEDs. It's part stage light, part décor piece, and entirely a showstopper. At nearly \u003cstrong\u003e6 feet tall (68.9\")\u003c\/strong\u003e, a pair of RetroLux 6 units frames a stage, a DJ booth, a ceremony arch, or a head table with the kind of warm, golden presence that transforms any space.\u003c\/p\u003e\n\n \u003cp\u003eUnlike utility fixtures designed to be hidden (uplights, wash lights, pars), the RetroLux 6 is \u003cstrong\u003edesigned to be visible\u003c\/strong\u003e. The vintage-style exposed lamp heads create that coveted classic stage aesthetic — the look of old Hollywood, jazz clubs, concert halls, and speakeasy bars — while the RGB LED system adds a modern layer of programmable color, pixel effects, and dynamic chasing patterns that vintage fixtures could never achieve.\u003c\/p\u003e\n\n \u003ch4\u003eThe Dual Light System\u003c\/h4\u003e\n \u003cp\u003eEvery RetroLux 6 contains two independent lighting systems working together:\u003c\/p\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth\u003eSystem\u003c\/th\u003e\n \u003cth\u003eSource\u003c\/th\u003e\n \u003cth\u003eWhat It Does\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eWarm White COB\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e6×100W COB LEDs\u003c\/td\u003e\n \u003ctd\u003eProduces the signature warm golden glow. Each COB segment is individually dimmable via DMX — run all six at full for a wall of warm light, or dim individual segments for dramatic patterns. 3200K–5600K color temperature range covers warm candlelight through clean daylight.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eRGB Pixel Strip\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e144×0.3W SMD RGB 3-in-1 LEDs\u003c\/td\u003e\n \u003ctd\u003eFull-color LED rings around each lamp head. Produces saturated reds, greens, blues, and every mix in between. Individually controllable in zones for chasing effects, color washes, strobe patterns, and pixel-mapped sequences. Runs independently of the warm COB system.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n \u003cp\u003eThese two systems operate independently. Run the warm COBs alone for a vintage golden look. Run the RGB strips alone for vibrant color effects. Run both simultaneously for layered warmth-plus-color combinations that no single-system fixture can produce. A wedding ceremony with soft amber COB glow transitions to a reception with RGB color chases without touching the fixtures — just update the DMX cues.\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eDesigned to Be Seen:\u003c\/strong\u003e Most professional lighting is meant to be invisible — hidden uplights, concealed pars, overhead wash fixtures out of the audience's sightline. The RetroLux 6 breaks that rule. It IS the visual. The warm, glowing lamp heads behind a band, flanking a DJ booth, or lining a ceremony aisle are as much a part of the design as the flowers and the furniture. This is a fixture that clients notice, photograph, and ask about.\n \u003c\/div\u003e\n\n \u003ch4\u003eWho It's For\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003eWedding \u0026amp; Event Designers\u003c\/strong\u003e — Retro lamps behind head tables, flanking ceremony arches, lining aisles, and framing cake tables. The warm golden glow photographs beautifully (CRI 95) and the RGB adds color accents for reception transitions.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eBands \u0026amp; Live Performers\u003c\/strong\u003e — Backline lighting that makes a stage look like a real production. Line 4–8 RetroLux units across the back of a stage for that classic concert backdrop look. Individual COB dimming and RGB chasing sync with the music.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eDJs \u0026amp; Nightclub Operators\u003c\/strong\u003e — Frame the DJ booth, line the back bar, create VIP section ambiance. Sound-active mode responds to the beat. The vintage aesthetic contrasts modern EDM production in a way that feels intentional.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eCorporate Event Producers\u003c\/strong\u003e — Brand-color RGB lighting with warm COB accent for awards galas, product launches, and keynote stages. CRI 95 means presenters look natural on camera.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eVenue Owners \u0026amp; Rental Companies\u003c\/strong\u003e — A premium fixture that elevates rental inventory. Clients will request these by name once they've seen them at a competitor's event.\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n\n \u003c!-- TAB 2: LIGHT \u0026 COLOR --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-2\"\u003e\n \u003ch4\u003eWarm White COB — The Heart of the Retro Look\u003c\/h4\u003e\n \u003cp\u003eThe six \u003cstrong\u003e100-watt COB (Chip-on-Board) LEDs\u003c\/strong\u003e are the defining feature. COB technology packs multiple LED chips into a single high-density emitter, producing a smooth, uniform light output with no visible individual LED dots — just a clean, bright, warm glow that resembles a traditional incandescent or tungsten stage lamp.\u003c\/p\u003e\n \u003cp\u003eThe color temperature range of \u003cstrong\u003e3200K to 5600K\u003c\/strong\u003e spans from warm tungsten (that golden, flattering warmth you see in vintage stage photography) to clean neutral daylight (crisp and natural for corporate and video applications). For most retro lamp applications, you'll run the COBs in the warm 3200K range — that's where the vintage magic lives.\u003c\/p\u003e\n \u003cp\u003eEach of the six COB segments is \u003cstrong\u003eindividually controllable via DMX\u003c\/strong\u003e. This means you can:\u003c\/p\u003e\n \u003cul\u003e\n \u003cli\u003eRun all six at full intensity for maximum warm wash output\u003c\/li\u003e\n \u003cli\u003eDim individual segments to create vertical patterns (top-heavy, bottom-heavy, alternating)\u003c\/li\u003e\n \u003cli\u003eChase warm light up and down the fixture in sequence\u003c\/li\u003e\n \u003cli\u003eStrobe individual segments for dramatic pulsing effects\u003c\/li\u003e\n \u003cli\u003eSet different intensity levels per segment for custom static looks\u003c\/li\u003e\n \u003c\/ul\u003e\n\n \u003ch4\u003eRGB Pixel LEDs — Color Without Limits\u003c\/h4\u003e\n \u003cp\u003eThe \u003cstrong\u003e144 SMD RGB 3-in-1 LEDs\u003c\/strong\u003e are arranged in rings around each of the six lamp heads. Each LED contains red, green, and blue emitters, allowing full-spectrum color mixing at every position. The RGB system is controllable in zones — each lamp head's surrounding LEDs operate as an independent pixel group.\u003c\/p\u003e\n \u003cp\u003eThis gives you:\u003c\/p\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003eFull RGB color mixing\u003c\/strong\u003e — Any color from deep saturated reds and blues to soft pastels and whites\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eZone-based pixel control\u003c\/strong\u003e — Each of the six RGB zones responds independently, enabling chasing effects, alternating colors, rainbow sequences, and pixel-mapped patterns\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eStrobe effects\u003c\/strong\u003e — 0–20Hz across the full RGB spectrum, from subtle slow-pulse to rapid-fire strobe\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eIndependent operation\u003c\/strong\u003e — The RGB system runs completely separately from the warm COBs, allowing layered looks (warm glow + colored accents) or standalone color effects (RGB only, COBs off)\u003c\/li\u003e\n \u003c\/ul\u003e\n\n \u003ch4\u003eCRI 95 — Camera-Ready Color Rendering\u003c\/h4\u003e\n \u003cp\u003eThe \u003cstrong\u003eColor Rendering Index of 95\u003c\/strong\u003e (out of 100) means the RetroLux 6 renders colors with exceptional accuracy. Skin tones look natural. Fabric colors appear true. Floral arrangements show their full palette. For wedding photographers, videographers, and live-stream operators, CRI 95 means the beautiful warm light you see in person translates faithfully to camera. Budget fixtures with CRI in the 70–80 range wash out colors and make skin look flat or unnatural — the RetroLux 6 doesn't.\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eLuminous Efficiency — 90 lm\/W:\u003c\/strong\u003e At 90 lumens per watt, the RetroLux 6 converts power to light efficiently. For comparison, traditional tungsten stage lamps produce around 15–20 lm\/W. You're getting the vintage warm look with 4–5× the efficiency — more light, less heat, lower power draw, and a 100,000-hour LED lifespan instead of replacing tungsten bulbs every few hundred hours.\n \u003c\/div\u003e\n\n \u003ch4\u003eDimming \u0026amp; Strobe\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003e0–100% linear dimming\u003c\/strong\u003e on both the COB and RGB systems provides smooth, flicker-free intensity control across the entire range. The dimming curve is linear, meaning 50% DMX value = 50% perceived brightness — predictable and easy to program. \u003cstrong\u003eStrobe runs from 0 to 20 flashes per second\u003c\/strong\u003e on both systems independently. Slow pulse at 1–3Hz creates a breathing, organic effect. Full 20Hz strobe delivers high-energy concert and club dynamics.\u003c\/p\u003e\n \u003c\/div\u003e\n\n \u003c!-- TAB 3: FULL SPECS --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-3\"\u003e\n \u003ch4\u003eTechnical Specifications\u003c\/h4\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth\u003eSpecification\u003c\/th\u003e\n \u003cth\u003eDetail\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eSurgeFX RetroLux 6 (SF-RL6)\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eSFX-RET-001\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eLED retro lamp \/ background effect light\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003ePrimary Light Source\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e6×100W warm white COB LEDs\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eSecondary Light Source\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e144×0.3W SMD RGB 3-in-1 LEDs\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eColor Temperature\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e3200K–5600K (warm to daylight)\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eCRI\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e95\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eLuminous Efficiency\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e90 lm\/W\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eDimmer\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e0–100% linear\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eStrobe\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e0–20 Hz\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eDMX Channels\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e6 \/ 9 \/ 24 \/ 114 CH (selectable)\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eControl Modes\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eDMX-512, Master\/Slave, Sound-Active, Auto-Run\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eDMX Connector\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e3-Pin XLR In\/Out\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eLED Lifespan\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e100,000 hours\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eInput Voltage\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eAC100–240V, 50\/60Hz\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eIP Rating\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eIP20 (indoor use)\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eWorking Temperature\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e-20°C to 50°C (-4°F to 122°F)\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e~9.4\" × 8.3\" × 68.9\" (240×210×1750mm)\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e36.38 lbs\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eMounting\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eFreestanding or wall-mount\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eBody Material\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eAluminum + ABS plastic\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003ch4\u003eWhat IP20 Means\u003c\/h4\u003e\n \u003cp\u003eIP20 provides protection against solid objects larger than 12.5mm (fingers). This is an \u003cstrong\u003eindoor fixture\u003c\/strong\u003e — designed for stages, ballrooms, reception halls, clubs, studios, churches, and covered event spaces. It is \u003cstrong\u003enot rated for rain, moisture, or outdoor weather exposure\u003c\/strong\u003e. For outdoor events, the RetroLux 6 must be placed under hard cover (tent, awning, roofed stage) and kept away from water, sprinklers, and condensation.\u003c\/p\u003e\n\n \u003cdiv class=\"warning-callout\"\u003e\n \u003cstrong\u003eAC Power Required:\u003c\/strong\u003e The RetroLux 6 is AC-powered only — no internal battery. Each fixture requires a power outlet within cable reach. For stage and event deployment, plan your power distribution in advance. At approximately 600W draw, each unit should be on a dedicated 15A circuit or shared carefully with other fixtures. Standard daisy-chain power connections are supported for cleaner cable runs.\n \u003c\/div\u003e\n\n \u003ch4\u003eWhat's in the Box\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003eRetroLux 6 LED Retro Lamp (1×)\u003c\/li\u003e\n \u003cli\u003ePower Cable (1×)\u003c\/li\u003e\n \u003cli\u003eDMX Cable (1×)\u003c\/li\u003e\n \u003cli\u003eUser Manual (1×)\u003c\/li\u003e\n \u003c\/ul\u003e\n\n \u003ch4\u003eApplications\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003eWedding \u0026amp; Event Backdrops\u003c\/strong\u003e — Behind the head table, flanking the ceremony, lining the aisle, framing the cake table. Warm COB glow for ceremony transitions to RGB color for reception.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eConcert \u0026amp; Band Stages\u003c\/strong\u003e — Backline retro lamps are a staple of professional stage design. Line 4–8 units across the rear of a stage for that classic concert look with modern pixel control.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eDJ Booths \u0026amp; Nightclubs\u003c\/strong\u003e — Frame the booth, line the back bar, create VIP ambiance. Sound-active mode syncs RGB effects to the music.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eCorporate Events \u0026amp; Galas\u003c\/strong\u003e — Keynote stage backdrops with brand-color RGB and warm COB presenter lighting. CRI 95 for camera-ready appearances.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eFilm, Photo \u0026amp; Video Studios\u003c\/strong\u003e — Practical lighting that appears in-frame as a design element while providing high-CRI illumination.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eHouses of Worship\u003c\/strong\u003e — Warm, inviting stage lighting for services and holiday productions with color capability for special events.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eRestaurants, Bars \u0026amp; Lounges\u003c\/strong\u003e — Permanent or semi-permanent installation for upscale ambiance. The retro aesthetic complements industrial, Art Deco, and speakeasy-inspired interiors.\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n\n \u003c!-- TAB 4: DMX \u0026 CONTROL --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-4\"\u003e\n \u003ch4\u003eFour Control Modes\u003c\/h4\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth\u003eMode\u003c\/th\u003e\n \u003cth\u003eHow It Works\u003c\/th\u003e\n \u003cth\u003eBest For\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eDMX-512\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eFull control via DMX lighting console. 3-pin XLR daisy-chain. Supports 6, 9, 24, or 114-channel modes for basic through advanced pixel control.\u003c\/td\u003e\n \u003ctd\u003eProfessional stage productions, concerts, corporate events, touring rigs — anywhere a lighting designer is running a console.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eMaster\/Slave\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eOne RetroLux 6 set as master, others as slaves. Slaves mirror the master's output. No console needed.\u003c\/td\u003e\n \u003ctd\u003eSynchronized multi-unit setups without DMX infrastructure. Line 4–6 units across a stage, program one, all match.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eSound-Active\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eBuilt-in microphone triggers effects and color changes in response to music and ambient sound.\u003c\/td\u003e\n \u003ctd\u003eDJ events, parties, club installations, live music — dynamic lighting that reacts to the energy in the room.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eAuto-Run\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eBuilt-in programs cycle through color effects, fades, chases, and strobe patterns automatically.\u003c\/td\u003e\n \u003ctd\u003eInstallations, ambient décor, permanent fixtures, any scenario where set-and-forget operation is preferred.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003ch4\u003eDMX Channel Modes\u003c\/h4\u003e\n \u003cp\u003eThe RetroLux 6 offers four DMX channel configurations, from simple to full pixel control:\u003c\/p\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth\u003eMode\u003c\/th\u003e\n \u003cth\u003eChannels\u003c\/th\u003e\n \u003cth\u003eWhat You Control\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eBasic\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e6 CH\u003c\/td\u003e\n \u003ctd\u003eMaster dimming, strobe, RGB color (3 channels), warm white master. Quick setup for simple warm glow + single RGB color across the entire fixture.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eStandard\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e9 CH\u003c\/td\u003e\n \u003ctd\u003eAdds individual COB dimming control and expanded RGB control. More nuance for static looks and basic chases without full pixel commitment.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eExtended\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e24 CH\u003c\/td\u003e\n \u003ctd\u003ePer-zone control of COB segments and RGB groups. Program different colors and intensities for each of the six lamp positions. Enables vertical chases, alternating patterns, and zone-based effects.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eFull Pixel\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003e114 CH\u003c\/td\u003e\n \u003ctd\u003eComplete individual control of every COB segment and every RGB zone. Full pixel-mapping capability for advanced lighting designers using visualization software and media servers. Maximum creative freedom.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eStart Simple, Scale Up:\u003c\/strong\u003e If you're new to retro lamps or want fast deployment, start with 6-channel mode. Set the warm COBs to a golden glow and pick an RGB accent color — done. As you grow comfortable, move to 24-channel mode for zone-based effects. The 114-channel pixel mode is there when you're ready for full creative control, but it's not required to get beautiful results from day one.\n \u003c\/div\u003e\n\n \u003ch4\u003eDMX Addressing \u0026amp; Daisy-Chaining\u003c\/h4\u003e\n \u003cp\u003eThe RetroLux 6 uses standard \u003cstrong\u003e3-pin XLR\u003c\/strong\u003e DMX connectors (In\/Out) for daisy-chain connections. In 6-channel mode, a single 512-channel DMX universe supports \u003cstrong\u003e85 fixtures\u003c\/strong\u003e. In 24-channel mode: \u003cstrong\u003e21 fixtures per universe\u003c\/strong\u003e. In 114-channel mode: \u003cstrong\u003e4 fixtures per universe\u003c\/strong\u003e. For most deployments (4–8 retro lamps across a stage), even full pixel mode fits comfortably in a single universe.\u003c\/p\u003e\n\n \u003ch4\u003eBuilt-In Programs\u003c\/h4\u003e\n \u003cp\u003eThe auto-run mode includes built-in programs for color changes, fades, chasing effects, dimming sequences, and strobe patterns — all running without any external controller. Cycle through programs and adjust speed using the on-board LED digital display and controls. For installations, ambient décor, or events where a lighting operator isn't present, auto-run provides professional-looking effects out of the box.\u003c\/p\u003e\n \u003c\/div\u003e\n\n \u003c!-- TAB 5: FAQ \u0026 TIPS --\u003e\n \u003cdiv class=\"surgefx-tabs-content content-5\"\u003e\n \u003ch4\u003eCan I use the RetroLux 6 outdoors?\u003c\/h4\u003e\n \u003cp\u003eThe RetroLux 6 is rated \u003cstrong\u003eIP20 — indoor use only\u003c\/strong\u003e. It is not sealed against rain, dust, or moisture. For outdoor events, it must be placed under \u003cstrong\u003ehard cover\u003c\/strong\u003e — a tent with solid roofing, a covered stage, a roofed patio. Do not expose it to rain, sprinklers, fog machine output aimed directly at the fixture, or condensation from extreme temperature changes.\u003c\/p\u003e\n\n \u003ch4\u003eHow tall is the fixture?\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003eApproximately 68.9 inches (5 feet 9 inches \/ 175cm).\u003c\/strong\u003e This is a commanding vertical fixture — taller than most people. When placed on the floor behind a stage, it rises well above seated performers and fills the backdrop with warm light and color. Factor in the height when planning ceiling clearance and sightlines.\u003c\/p\u003e\n\n \u003ch4\u003eHow much power does it draw?\u003c\/h4\u003e\n \u003cp\u003eApproximately \u003cstrong\u003e600W at full output\u003c\/strong\u003e (all COBs and all RGB at maximum). On a standard 120V\/15A circuit (1,800W capacity), you can safely run \u003cstrong\u003e2–3 RetroLux 6 units per circuit\u003c\/strong\u003e at full power. In practice, most lighting looks don't require every emitter at 100% simultaneously — moderate intensity usage allows more fixtures per circuit.\u003c\/p\u003e\n\n \u003ch4\u003eCan I mount it on a wall?\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003eYes.\u003c\/strong\u003e The RetroLux 6 supports both freestanding floor placement and wall mounting. Wall mounting creates a vertical column of warm light and color along a wall surface — effective for long hallways, venue lobbies, stage side walls, and architectural accent lighting. Ensure the mounting hardware supports the fixture's weight (36+ lbs) and provides proper ventilation behind the unit.\u003c\/p\u003e\n\n \u003ch4\u003eDo I need a DMX controller?\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003eNo.\u003c\/strong\u003e The RetroLux 6 works in four standalone modes (auto-run, sound-active, master\/slave) without any external controller. However, DMX control unlocks the fixture's full potential — per-zone dimming, precise color selection, pixel effects, and cue-based programming. For simple warm glow deployment, standalone modes are sufficient. For dynamic shows and professional productions, a DMX console is recommended.\u003c\/p\u003e\n\n \u003ch4\u003eCan I run just the warm white COBs without the RGB?\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003eAbsolutely.\u003c\/strong\u003e The COB and RGB systems are completely independent. Set all RGB channels to zero and the RetroLux 6 becomes a pure warm white retro lamp — six golden glowing lamp heads with no color distraction. This is the most popular look for wedding ceremonies, upscale galas, and any setting where the vintage aesthetic is the goal. Add RGB later for the reception or after-party without changing the fixture setup.\u003c\/p\u003e\n\n \u003ch4\u003eHow many do I need?\u003c\/h4\u003e\n \u003cp\u003eIt depends on the application:\u003c\/p\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003eBand\/stage backdrop:\u003c\/strong\u003e 4–8 units evenly spaced across the rear of the stage\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eDJ booth flanking:\u003c\/strong\u003e 2 units (one per side)\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eWedding ceremony:\u003c\/strong\u003e 2–4 units flanking the altar\/arch or lining the aisle\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eHead table backdrop:\u003c\/strong\u003e 2–4 units depending on table width\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eFull venue décor:\u003c\/strong\u003e 6–12+ units distributed at focal points around the room\u003c\/li\u003e\n \u003c\/ul\u003e\n\n \u003ch4\u003eSetup Tips\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003ePlan power first\u003c\/strong\u003e — At ~600W each, you need dedicated circuits. Map your power distribution before placing fixtures. Carry heavy-gauge extension cables rated for the draw.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eStart with warm COBs only\u003c\/strong\u003e — Set the golden glow first. Get the warm base look dialed in, then layer RGB on top. It's easier to add color than to fix a look that's over-saturated from the start.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eUse master\/slave for matching\u003c\/strong\u003e — When deploying multiple RetroLux units for a uniform look (e.g., backline behind a band), master\/slave mode ensures every fixture matches without programming each one individually.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eThe 70% rule\u003c\/strong\u003e — COBs at 70–80% intensity often look better than 100%. Full blast can overwhelm the vintage softness. Dimming slightly creates a warmer, more flattering quality — and extends LED life.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003ePair with haze\u003c\/strong\u003e — The warm COB beams become dramatically visible when haze is present. Even a light atmospheric haze reveals the light shafts between the lamp heads and adds three-dimensional depth to the retro look.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eTwo-person carry\u003c\/strong\u003e — At 36+ lbs and nearly 6 feet tall, have a second person when positioning and mounting.\u003c\/li\u003e\n \u003c\/ul\u003e\n\n \u003ch4\u003ePairs Well With\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003ca href=\"\/collections\/surgefx-lighting-products\"\u003e\u003cstrong\u003eSurgeFX Stage Lighting\u003c\/strong\u003e\u003c\/a\u003e — RetroLux for the warm backdrop layer. Moving heads (BM100, BM60, SP90) for beams and spots over the top. Classic concert lighting combination.\u003c\/li\u003e\n \u003cli\u003e\n\u003ca href=\"\/collections\/surgefx-haze-machines\"\u003e\u003cstrong\u003eHaze FX\u003c\/strong\u003e\u003c\/a\u003e — Light atmospheric haze makes the warm COB beams visible and three-dimensional. The single most impactful pairing for retro lamp setups.\u003c\/li\u003e\n \u003cli\u003e\n\u003ca href=\"\/collections\/surgefx-spark-machines\"\u003e\u003cstrong\u003eCold Spark FX\u003c\/strong\u003e\u003c\/a\u003e — Warm retro glow behind cold spark fountains creates a dramatic contrast of golden light and white sparks.\u003c\/li\u003e\n \u003cli\u003e\n\u003ca href=\"\/collections\/surgefx-fog-machines\"\u003e\u003cstrong\u003eFog FX\u003c\/strong\u003e\u003c\/a\u003e — Low fog with retro lamps behind the stage creates a glowing golden floor cloud effect.\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n\n \u003c\/div\u003e \u003c!-- \/surgefx-tabs-panels --\u003e\n \u003c\/div\u003e \u003c!-- \/surgefx-tabs --\u003e\n\n \u003c!-- ============================================\n MOBILE: ACCORDION\n ============================================ --\u003e\n \u003cdiv class=\"surgefx-accordion\"\u003e\n\n \u003c!-- ACCORDION 1: OVERVIEW \u0026 DESIGN --\u003e\n \u003cdetails open\u003e\n \u003csummary\u003e💡 Overview \u0026amp; Design\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003cp\u003eThe RetroLux 6 is a \u003cstrong\u003evertical LED retro lamp\u003c\/strong\u003e — nearly \u003cstrong\u003e6 feet tall (68.9\")\u003c\/strong\u003e — with six oversized 100W warm white COB lamp heads arranged in a column, each surrounded by a ring of 144 RGB LEDs. Unlike utility fixtures designed to be hidden, the RetroLux 6 is \u003cstrong\u003edesigned to be seen\u003c\/strong\u003e. It's part stage light, part décor — a statement piece that transforms stages, backdrops, head tables, and event spaces.\u003c\/p\u003e\n\n \u003ch4\u003eDual Light System\u003c\/h4\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth\u003eSystem\u003c\/th\u003e\n \u003cth\u003eWhat It Does\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003e6×100W Warm COB\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eSignature golden glow. Each segment individually dimmable. 3200K–5600K range. The retro look.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003e144 RGB LEDs\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eFull-color pixel rings around each lamp head. Chases, strobes, washes, and patterns. Independent of COB system.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003cp\u003eRun warm COBs alone for vintage gold. RGB alone for vibrant color. Both together for layered warmth-plus-color. CRI 95 means everything looks beautiful on camera.\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eDesigned to Be Seen:\u003c\/strong\u003e Retro lamps aren't hidden — they ARE the visual. Warm glowing lamp heads behind a band, flanking a DJ booth, or lining a ceremony aisle become part of the event design itself. Clients notice, photograph, and ask about them.\n \u003c\/div\u003e\n\n \u003ch4\u003eWho It's For\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003eWedding \u0026amp; Event Designers\u003c\/strong\u003e — Head tables, ceremony arches, aisle lighting. CRI 95 for photography.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eBands \u0026amp; Live Performers\u003c\/strong\u003e — Classic concert backline look. 4–8 units across a stage.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eDJs \u0026amp; Clubs\u003c\/strong\u003e — Frame the booth, line the bar. Sound-active mode.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eCorporate Events\u003c\/strong\u003e — Brand-color RGB + warm COB for galas and keynotes.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eVenues \u0026amp; Rentals\u003c\/strong\u003e — Premium inventory piece clients request by name.\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c!-- ACCORDION 2: LIGHT \u0026 COLOR --\u003e\n \u003cdetails\u003e\n \u003csummary\u003e🎨 Light \u0026amp; Color\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003ch4\u003eWarm White COB\u003c\/h4\u003e\n \u003cp\u003eSix \u003cstrong\u003e100W COB LEDs\u003c\/strong\u003e produce smooth, uniform warm light — no visible LED dots, just a clean golden glow. \u003cstrong\u003e3200K–5600K\u003c\/strong\u003e color temp range covers warm tungsten through neutral daylight. Each COB is individually controllable via DMX for dimming, chasing, and patterns.\u003c\/p\u003e\n\n \u003ch4\u003eRGB Pixel LEDs\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003e144 SMD RGB 3-in-1 LEDs\u003c\/strong\u003e in rings around each lamp head. Full-spectrum color mixing. Zone-based pixel control enables chasing effects, alternating colors, and pixel-mapped sequences. Runs independently of the COB system.\u003c\/p\u003e\n\n \u003ch4\u003eCRI 95\u003c\/h4\u003e\n \u003cp\u003eRenders colors with exceptional accuracy. Skin tones look natural. Fabric colors appear true. Wedding photographers and videographers get faithful color translation from what they see in person to what the camera captures.\u003c\/p\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003e90 lm\/W Efficiency:\u003c\/strong\u003e 4–5× more efficient than traditional tungsten stage lamps. Same vintage warm look, fraction of the heat, 100,000-hour lifespan.\n \u003c\/div\u003e\n\n \u003ch4\u003eDimming \u0026amp; Strobe\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003e0–100% linear dimming\u003c\/strong\u003e — smooth, flicker-free. \u003cstrong\u003e0–20Hz strobe\u003c\/strong\u003e on both COB and RGB independently. Slow 1–3Hz pulse for organic breathing effects. Full 20Hz for concert\/club energy.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c!-- ACCORDION 3: FULL SPECS --\u003e\n \u003cdetails\u003e\n \u003csummary\u003e📐 Full Specs\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth\u003eSpec\u003c\/th\u003e\n \u003cth\u003eDetail\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRetroLux 6 (SF-RL6)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLED retro lamp \/ background effect light\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCOB LEDs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6×100W warm white\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eRGB LEDs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e144×0.3W SMD RGB 3-in-1\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor Temp\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3200K–5600K\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCRI\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e95\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEfficiency\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e90 lm\/W\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimmer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0–100% linear\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStrobe\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0–20 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e6 \/ 9 \/ 24 \/ 114 CH\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDMX-512, Master\/Slave, Sound, Auto\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Connector\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3-Pin XLR In\/Out\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLED Lifespan\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100,000 hours\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAC100–240V, 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIP Rating\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eIP20 (indoor)\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWorking Temp\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e-20°C to 50°C\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~9.4\" × 8.3\" × 68.9\"\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e36.38 lbs\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounting\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFreestanding \/ Wall-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003cp\u003e\u003cstrong\u003eIP20\u003c\/strong\u003e = Indoor fixture. Not rated for rain or outdoor weather. For outdoor events, place under hard cover only.\u003c\/p\u003e\n\n \u003cdiv class=\"warning-callout\"\u003e\n \u003cstrong\u003eAC Power Required:\u003c\/strong\u003e No internal battery. Each fixture needs a power outlet. At ~600W draw, plan 2–3 units per 15A circuit. Daisy-chain power connections supported.\n \u003c\/div\u003e\n\n \u003ch4\u003eIn the Box\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003eRetroLux 6 LED Retro Lamp (1×)\u003c\/li\u003e\n \u003cli\u003ePower Cable (1×)\u003c\/li\u003e\n \u003cli\u003eDMX Cable (1×)\u003c\/li\u003e\n \u003cli\u003eUser Manual (1×)\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c!-- ACCORDION 4: DMX \u0026 CONTROL --\u003e\n \u003cdetails\u003e\n \u003csummary\u003e🎛️ DMX \u0026amp; Control\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003ch4\u003eControl Modes\u003c\/h4\u003e\n \u003ctable\u003e\n \u003cthead\u003e\n \u003ctr\u003e\n \u003cth\u003eMode\u003c\/th\u003e\n \u003cth\u003eBest For\u003c\/th\u003e\n \u003c\/tr\u003e\n \u003c\/thead\u003e\n \u003ctbody\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eDMX-512\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eFull console control. 6\/9\/24\/114CH. Professional productions.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eMaster\/Slave\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eMulti-unit sync without a console. Set one, all match.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eSound-Active\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eBuilt-in mic reacts to music. DJ events, parties, clubs.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003ctr\u003e\n \u003ctd\u003e\u003cstrong\u003eAuto-Run\u003c\/strong\u003e\u003c\/td\u003e\n \u003ctd\u003eBuilt-in programs. Set and forget. Installations, ambient décor.\u003c\/td\u003e\n \u003c\/tr\u003e\n \u003c\/tbody\u003e\n \u003c\/table\u003e\n\n \u003ch4\u003eDMX Channel Modes\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003e6 CH (Basic)\u003c\/strong\u003e — Master dim, strobe, RGB, warm white. Quick single-color setup.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003e9 CH (Standard)\u003c\/strong\u003e — Adds per-COB dimming and expanded RGB. More control without pixel complexity.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003e24 CH (Extended)\u003c\/strong\u003e — Per-zone control of each COB + RGB group. Vertical chases, alternating patterns.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003e114 CH (Full Pixel)\u003c\/strong\u003e — Complete individual control. Full pixel-mapping for advanced designers.\u003c\/li\u003e\n \u003c\/ul\u003e\n\n \u003cdiv class=\"highlight\"\u003e\n \u003cstrong\u003eStart Simple:\u003c\/strong\u003e 6CH mode gives you beautiful warm glow + RGB accent in minutes. Scale to 24CH or 114CH when you're ready for pixel effects. No pressure.\n \u003c\/div\u003e\n\n \u003cp\u003eNo DMX controller? No problem. Auto-run, sound-active, and master\/slave modes work without any external hardware.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c!-- ACCORDION 5: FAQ \u0026 TIPS --\u003e\n \u003cdetails\u003e\n \u003csummary\u003e❓ FAQ \u0026amp; Tips\u003c\/summary\u003e\n \u003cdiv class=\"accordion-content\"\u003e\n \u003ch4\u003eCan I use it outdoors?\u003c\/h4\u003e\n \u003cp\u003eIndoor only (IP20). For outdoor events, place under hard cover — tent, covered stage, roofed patio. No direct rain or moisture exposure.\u003c\/p\u003e\n\n \u003ch4\u003eHow tall is it?\u003c\/h4\u003e\n \u003cp\u003e\u003cstrong\u003e68.9 inches (5'9\" \/ 175cm).\u003c\/strong\u003e Taller than most people. Factor in ceiling clearance and sightlines when planning.\u003c\/p\u003e\n\n \u003ch4\u003eHow much power?\u003c\/h4\u003e\n \u003cp\u003e~600W at full output. 2–3 units per standard 15A\/120V circuit. Moderate intensity allows more per circuit.\u003c\/p\u003e\n\n \u003ch4\u003eCan I run just warm white?\u003c\/h4\u003e\n \u003cp\u003eYes — COB and RGB systems are independent. Set RGB to zero for a pure vintage golden lamp look. Most popular for wedding ceremonies and upscale events.\u003c\/p\u003e\n\n \u003ch4\u003eDo I need a DMX controller?\u003c\/h4\u003e\n \u003cp\u003eNo. Auto-run, sound-active, and master\/slave modes work without one. DMX unlocks full pixel control and per-zone programming.\u003c\/p\u003e\n\n \u003ch4\u003eHow many do I need?\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003eStage backdrop: 4–8 units\u003c\/li\u003e\n \u003cli\u003eDJ booth flanking: 2 units\u003c\/li\u003e\n \u003cli\u003eWedding ceremony: 2–4 units\u003c\/li\u003e\n \u003cli\u003eHead table: 2–4 units\u003c\/li\u003e\n \u003cli\u003eFull venue: 6–12+ units\u003c\/li\u003e\n \u003c\/ul\u003e\n\n \u003ch4\u003eTips\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003cstrong\u003ePlan power first\u003c\/strong\u003e — Map circuits before placing fixtures. ~600W each.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eStart with warm COBs\u003c\/strong\u003e — Dial in the golden glow first, then layer RGB.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eUse master\/slave\u003c\/strong\u003e — Multi-unit uniform looks without per-fixture programming.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eThe 70% rule\u003c\/strong\u003e — COBs at 70–80% look warmer and more flattering than 100%.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eAdd haze\u003c\/strong\u003e — Even light haze makes warm COB beams dramatically visible.\u003c\/li\u003e\n \u003cli\u003e\n\u003cstrong\u003eTwo-person carry\u003c\/strong\u003e — 36+ lbs, nearly 6 feet tall.\u003c\/li\u003e\n \u003c\/ul\u003e\n\n \u003ch4\u003ePairs Well With\u003c\/h4\u003e\n \u003cul\u003e\n \u003cli\u003e\n\u003ca href=\"\/collections\/surgefx-lighting-products\"\u003e\u003cstrong\u003eStage Lighting\u003c\/strong\u003e\u003c\/a\u003e — RetroLux for backdrop warmth. Moving heads for beams on top.\u003c\/li\u003e\n \u003cli\u003e\n\u003ca href=\"\/collections\/surgefx-haze-machines\"\u003e\u003cstrong\u003eHaze FX\u003c\/strong\u003e\u003c\/a\u003e — Makes warm COB beams visible. The #1 pairing.\u003c\/li\u003e\n \u003cli\u003e\n\u003ca href=\"\/collections\/surgefx-spark-machines\"\u003e\u003cstrong\u003eCold Spark FX\u003c\/strong\u003e\u003c\/a\u003e — Golden glow + white sparks = dramatic contrast.\u003c\/li\u003e\n \u003cli\u003e\n\u003ca href=\"\/collections\/surgefx-fog-machines\"\u003e\u003cstrong\u003eFog FX\u003c\/strong\u003e\u003c\/a\u003e — Low fog + retro glow = glowing golden cloud.\u003c\/li\u003e\n \u003c\/ul\u003e\n \u003c\/div\u003e\n \u003c\/details\u003e\n\n \u003c\/div\u003e \u003c!-- \/surgefx-accordion --\u003e\n\n \u003cdiv class=\"surgefx-footer\"\u003e\n SurgeFX RetroLux 6 — Vintage stage presence. Modern pixel control. Built to be seen.\n \u003c\/div\u003e\n\n\u003c\/div\u003e \u003c!-- \/surgefx-product-info --\u003e","brand":"SurgeFX","offers":[{"title":"Default Title","offer_id":49464316330282,"sku":"SFX-RET-001","price":649.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0891\/1516\/4970\/files\/surgefx-sf-rl6-retro-lamps-hero.webp?v=1782931115"},{"product_id":"surgefx-sf-st1240-12x40w-strip-strobe-moving-head-light","title":"SurgeFX SF-ST1240 12x40W Strip Strobe Moving Head Light","description":"\u003cstyle\u003e\n\/* ============================================\n SURGEFX RESPONSIVE TABS\/ACCORDION HYBRID\n ============================================ *\/\n\n.surgefx-product-info {\n margin: 24px 0;\n font-family: inherit;\n}\n\n.surgefx-intro {\n margin-bottom: 24px;\n line-height: 1.7;\n}\n\n.surgefx-tagline {\n font-size: 1.15em;\n font-weight: 700;\n color: #000000;\n margin-bottom: 16px;\n letter-spacing: 0.5px;\n}\n\n.surgefx-product-info h4 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border: 1px solid #e0e0e0;\n border-top: none;\n border-radius: 0 0 10px 10px;\n line-height: 1.7;\n box-shadow: 0 4px 15px rgba(0, 0, 0, 0.08);\n}\n\n#tab1:checked ~ .surgefx-tabs-panels .content-1,\n#tab2:checked ~ .surgefx-tabs-panels .content-2,\n#tab3:checked ~ .surgefx-tabs-panels .content-3,\n#tab4:checked ~ .surgefx-tabs-panels .content-4 {\n display: block;\n}\n\n\/* ============================================\n MOBILE: ACCORDION\n ============================================ *\/\n.surgefx-accordion {\n display: none;\n}\n\n.surgefx-accordion details {\n background: transparent;\n border: none;\n border-radius: 10px;\n margin-bottom: 8px;\n overflow: hidden;\n box-shadow: 0 2px 8px rgba(0, 0, 0, 0.08);\n}\n\n.surgefx-accordion summary {\n padding: 16px 20px;\n font-weight: 700;\n font-size: 1em;\n cursor: pointer;\n display: flex;\n justify-content: space-between;\n align-items: center;\n list-style: none;\n background: linear-gradient(180deg, #1a1a1a 0%, #2d2d2d 100%);\n 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.surgefx-tabs {\n display: none;\n }\n \n .surgefx-accordion {\n display: block;\n }\n}\n\u003c\/style\u003e\n\u003cdiv class=\"surgefx-product-info\"\u003e\n\u003cdiv class=\"surgefx-intro\"\u003e\n\u003cp class=\"surgefx-tagline\"\u003e12 Pixel-Controlled LEDs. 5°–35° Zoom. One Fixture That Does Everything.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eSurgeFX SF-ST1240\u003c\/strong\u003e is a 12x40W RGBW pixel beam bar moving head — a strip-format fixture that combines \u003cstrong\u003eindividual pixel control, motorized zoom, high-speed strobe, and full tilt movement\u003c\/strong\u003e into a single unit. Twelve independently controllable 40W RGBW LEDs in a linear array, with zoom ranging from tight 5° beams to wide 35° washes, all on a tilting head with 220° of movement.\u003c\/p\u003e\n\u003cp\u003eThis isn't a traditional spot or wash moving head — it's a \u003cstrong\u003ebeam bar\u003c\/strong\u003e. The linear strip format creates sweeping wall-of-light effects, pixel-mapped chases, individual beam arrays, and dramatic tilting wash coverage that a single-source fixture can't replicate. Each LED operates independently for pixel effects, or together for unified output. The motorized zoom switches between razor-sharp beam arrays and broad color washes without changing fixtures.\u003c\/p\u003e\n\u003cp\u003eDMX-512 control with 14, 20, and 57-channel modes. Auto-run and sound-activated modes for standalone operation. 500W total power, fan-cooled, 50,000-hour LED lifespan. \u003cstrong\u003e~40\" wide, ~33 lbs.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- ============================================\n DESKTOP: HORIZONTAL TABS\n ============================================ --\u003e\n\u003cdiv class=\"surgefx-tabs\"\u003e\n\u003cinput type=\"radio\" name=\"surgefx-tabs\" id=\"tab1\" checked\u003e \u003cinput type=\"radio\" name=\"surgefx-tabs\" id=\"tab2\"\u003e \u003cinput type=\"radio\" name=\"surgefx-tabs\" id=\"tab3\"\u003e \u003cinput type=\"radio\" name=\"surgefx-tabs\" id=\"tab4\"\u003e\n\u003cdiv class=\"surgefx-tabs-nav\"\u003e\n\u003clabel for=\"tab1\"\u003e💡 Overview \u0026amp; Specs\u003c\/label\u003e \u003clabel for=\"tab2\"\u003e🎛️ Features \u0026amp; Control\u003c\/label\u003e \u003clabel for=\"tab3\"\u003e❓ FAQ\u003c\/label\u003e \u003clabel for=\"tab4\"\u003e🔧 Setup Tips\u003c\/label\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"surgefx-tabs-panels\"\u003e\n\u003c!-- Panel 1: Overview \u0026 Specs --\u003e\n\u003cdiv class=\"surgefx-tabs-content content-1\"\u003e\n\u003ch4\u003eWhat Makes a Beam Bar Different\u003c\/h4\u003e\n\u003cp\u003eTraditional moving heads use a single light source — one lens, one beam, one point of output. A beam bar uses \u003cstrong\u003emultiple sources in a linear array\u003c\/strong\u003e, creating effects that are impossible with single-source fixtures. Twelve individual beams tilting in unison create dramatic sweeping walls of light. Pixel control lets you run chases, color gradients, and individual beam effects across the strip. The zoom switches the entire array between tight parallel beams and a wide wash — two completely different looks from one fixture.\u003c\/p\u003e\n\u003cp\u003eThe SF-ST1240 sits at the intersection of beam, wash, strobe, and pixel effect fixture. It replaces multiple single-purpose fixtures in your rig, and the visual impact of 12 beams moving together is fundamentally different from what you get with a single spot or wash head.\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eSF-ST1240\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLight Source\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12 × 40W RGBW 4-in-1 LEDs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e500W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eZoom Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5°–35° (motorized)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTilt Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e220° with fine adjustment\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePixel Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eYes — each LED individually addressable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor Mixing\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRGBW 4-in-1 with dual reflectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimming\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0–100% linear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStrobe\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUp to 25 flashes per second\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX Channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e14CH \/ 20CH \/ 57CH modes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControl Modes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDMX-512, auto-run, sound-activated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower Input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAC 90–240V, 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCooling\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFan-forced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLED Lifespan\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~50,000 hours\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFixture Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~40.2\" × 4.2\" × 10.5\" (102 × 10.75 × 26.6 cm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~33 lbs (15 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSKU\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSFX-SSM-001\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch4\u003eApplications\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConcert \u0026amp; Touring Stages\u003c\/strong\u003e — Sweeping beam arrays, pixel-mapped effects, and dynamic wash coverage across large stages.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNightclubs \u0026amp; DJ Booths\u003c\/strong\u003e — High-energy beam shows, strobe effects, and color chases that fill the room from a single fixture position.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTheater \u0026amp; Live Performance\u003c\/strong\u003e — Dramatic tilting washes, precise color mixing, and programmable scene looks across 57 DMX channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHouses of Worship\u003c\/strong\u003e — Versatile fixture that serves as beam effect, stage wash, and accent lighting in one unit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCorporate Events \u0026amp; Galas\u003c\/strong\u003e — Wide zoom for smooth color washes in low-key settings, tight beams for high-energy reveals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTheme Parks \u0026amp; Immersive Environments\u003c\/strong\u003e — Pixel effects for themed sequences, continuous-duty operation with 50,000-hour LED lifespan.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"highlight\"\u003e\n\u003cstrong\u003eThe Bottom Line:\u003c\/strong\u003e The SF-ST1240 is a \u003cstrong\u003emulti-role fixture\u003c\/strong\u003e. Tight beam array for high-energy moments. Wide wash for stage coverage. Pixel chases for dynamic effects. High-speed strobe for impact. Most lighting rigs need separate fixtures for these roles — this one does all four from a single position in your rig.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- Panel 2: Features \u0026 Control --\u003e\n\u003cdiv class=\"surgefx-tabs-content content-2\"\u003e\n\u003ch4\u003eIndividual Pixel Control\u003c\/h4\u003e\n\u003cp\u003eEach of the 12 LEDs is \u003cstrong\u003eindependently addressable\u003c\/strong\u003e for color, intensity, and strobe. In the 57-channel DMX mode, you get full per-pixel control — assign different colors to each LED, run chases across the bar, create gradients, or isolate individual beams for precise effects. This is what separates a pixel bar from a standard multi-cell wash — every LED is a separate instrument you can program independently.\u003c\/p\u003e\n\u003cp\u003eFor simpler setups, the 14-channel and 20-channel modes give you unified control of the full bar without needing 57 channels of DMX per fixture. These are ideal for installations or shows where you want the beam bar's visual format without programming every pixel individually.\u003c\/p\u003e\n\u003ch4\u003eMotorized Zoom: 5°–35°\u003c\/h4\u003e\n\u003cp\u003eThe zoom range transforms the fixture's character entirely:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e5° (tight)\u003c\/strong\u003e — Twelve razor-sharp parallel beams. Dramatic beam arrays that cut through haze, create aerial effects, and produce the signature \"wall of beams\" look. This is the high-energy mode for concerts, clubs, and moments that need visual punch.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e35° (wide)\u003c\/strong\u003e — Broad, overlapping wash coverage. The twelve sources blend into a smooth, wide-format color wash that covers a large area from a single fixture. Stage washes, backdrops, audience washes, and ambient color.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMid-range\u003c\/strong\u003e — Blend between beam and wash for intermediate looks. Partially overlapping beams create textured washes with visible structure — more character than a pure wash, softer than pure beams.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe zoom is \u003cstrong\u003emotorized and DMX-controllable\u003c\/strong\u003e, so you can transition between beam and wash modes mid-show without touching the fixture. Program zoom changes into your cues for dramatic shifts — tight beams for the verse, wide wash for the chorus.\u003c\/p\u003e\n\u003ch4\u003eRGBW Color Mixing\u003c\/h4\u003e\n\u003cp\u003eFour-color RGBW mixing with \u003cstrong\u003edual reflectors\u003c\/strong\u003e for improved color blending. The dedicated white LED element means clean, true whites without the off-color tint you get when mixing RGB to approximate white. Full-spectrum color mixing from saturated primaries to pastels, with smooth 0–100% linear dimming across the entire range.\u003c\/p\u003e\n\u003ch4\u003eMovement \u0026amp; Strobe\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003e220° tilt\u003c\/strong\u003e with fine adjustment gives the bar sweeping coverage — the strip format makes tilt movement dramatically more visual than a single-point source because the entire 40\" array moves as a unit. Combined with the zoom, tilt movement creates massive sweeping beams or rolling wash coverage that fills the space.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003estrobe function hits up to 25 flashes per second\u003c\/strong\u003e — fast enough for punchy impact effects and slow enough for dramatic pulsing. Variable-speed strobe is DMX controllable, and with pixel control, you can run strobe chases across the 12 LEDs for sequenced flash effects.\u003c\/p\u003e\n\u003ch4\u003eDMX Channel Modes\u003c\/h4\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eMode\u003c\/th\u003e\n\u003cth\u003eChannels\u003c\/th\u003e\n\u003cth\u003eBest For\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e14CH\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e14\u003c\/td\u003e\n\u003ctd\u003eBasic control — master dimmer, RGBW, tilt, zoom, strobe. Simple setups, installations, limited DMX universes.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e20CH\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20\u003c\/td\u003e\n\u003ctd\u003eEnhanced control with additional macro and effect parameters. Good balance of flexibility and channel efficiency.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e57CH\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e57\u003c\/td\u003e\n\u003ctd\u003eFull pixel control — individual RGBW for each of 12 LEDs plus master controls. Maximum creative flexibility for pixel mapping and per-LED programming.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"highlight\"\u003e\n\u003cstrong\u003eStandalone Operation:\u003c\/strong\u003e No DMX controller? The SF-ST1240 also runs in \u003cstrong\u003eauto-run mode\u003c\/strong\u003e (built-in programs) and \u003cstrong\u003esound-activated mode\u003c\/strong\u003e (reacts to music via built-in mic). Useful for simple installations, DJ setups without a lighting console, or backup operation if your DMX signal drops.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- Panel 3: FAQ --\u003e\n\u003cdiv class=\"surgefx-tabs-content content-3\"\u003e\n\u003ch4\u003eFrequently Asked Questions\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eQ: How does this compare to a traditional moving head wash?\u003c\/strong\u003e\u003cbr\u003eTraditional wash heads produce a single circular beam from one lens. The SF-ST1240 produces 12 individual beams from a linear strip. The visual effect is fundamentally different — a traditional wash gives you a cone of light from one point, while a beam bar gives you a \u003cstrong\u003ewall of light from a 40\" wide source\u003c\/strong\u003e. When zoomed tight, you get 12 parallel beams cutting through haze. When zoomed wide, you get a broad-format wash with more even coverage than a single-point source. The beam bar doesn't replace a traditional wash — it does things a single-source fixture physically can't do.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: What DMX controller do I need?\u003c\/strong\u003e\u003cbr\u003eAny standard DMX-512 controller works. For basic operation (14CH mode), any entry-level DMX board is fine. For full pixel control (57CH mode), you'll want a controller that can handle the channel count — 57 channels per fixture adds up quickly with multiple units. Consoles with pixel mapping capabilities (like MA, ChamSys, Avolites, or software like QLC+) let you take full advantage of the individual LED control. The fixture also runs standalone without any controller.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: How heavy is it, and what do I need for rigging?\u003c\/strong\u003e\u003cbr\u003eThe fixture weighs approximately 33 lbs (15 kg) and is about 40 inches wide. Use appropriately rated clamps and safety cables for any overhead mounting. The wide format means you need to account for the full 40\" span when planning truss positions — it's wider than a typical moving head, so spacing between fixtures on truss requires more clearance. Always ensure your truss, clamps, and rigging hardware are rated for the fixture weight plus a safety margin.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: Is it noisy?\u003c\/strong\u003e\u003cbr\u003eThe SF-ST1240 uses fan-forced cooling, which produces some audible noise. For high-energy events (concerts, clubs, DJ shows), fan noise is not a factor — it's completely masked by the sound system. For quieter environments (theater, corporate, house of worship), be aware that the fans are audible in silent moments. Position fixtures at a distance from the audience if noise sensitivity is a concern.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: Can I use it without DMX?\u003c\/strong\u003e\u003cbr\u003eYes. Auto-run mode cycles through built-in programs automatically. Sound-activated mode responds to music via the built-in microphone. Both modes are useful for simple installations, mobile DJ setups without a lighting console, or as a backup if DMX fails. For full creative control — especially pixel effects — you'll want a DMX controller.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: How many can I daisy-chain on DMX?\u003c\/strong\u003e\u003cbr\u003eStandard DMX-512 supports up to 512 channels per universe. In 57-channel mode (full pixel control), you can address up to 8 fixtures per DMX universe (8 × 57 = 456 channels). In 14-channel mode, you can fit up to 36 fixtures per universe. For large rigs with many pixel bars, plan your DMX universes accordingly — you may need multiple universes for full pixel control of a large array.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: Does it need haze to look good?\u003c\/strong\u003e\u003cbr\u003eFor beam effects (zoomed tight), \u003cstrong\u003ehaze is essential\u003c\/strong\u003e. Beams are only visible in the air when there are particles for the light to hit. Without haze, you'll see the beam's landing spot but not the aerial beam itself. For wash effects (zoomed wide) and pixel color effects, haze enhances the look but isn't required — the light on surfaces and performers is visible regardless. For the full \"wall of beams\" experience, pair with haze from the \u003ca href=\"\/collections\/aura-haze-fluids\"\u003eAurà™ haze fluid line\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: What's the power draw?\u003c\/strong\u003e\u003cbr\u003e500W maximum at full output. At standard voltage (120V), that's approximately 4.2 amps per fixture. Plan your power distribution accordingly — a standard 15A circuit can handle 2–3 fixtures at full output, but always account for inrush current and other devices on the same circuit. The auto-ranging power supply accepts 90–240V, 50\/60Hz, so it works internationally without a voltage converter.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- Panel 4: Setup Tips --\u003e\n\u003cdiv class=\"surgefx-tabs-content content-4\"\u003e\n\u003ch4\u003eGetting the Most From the SF-ST1240\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Use haze. Seriously.\u003c\/strong\u003e A beam bar without haze is a wash fixture. A beam bar \u003cstrong\u003ewith\u003c\/strong\u003e haze is a spectacle. The tight 5° beam mode creates dramatic aerial effects, but only when there's haze in the air for the beams to hit. Even a light atmospheric haze transforms the fixture from \"nice colored lights\" to \"12 beams cutting through the room.\" Pair with \u003ca href=\"\/collections\/aura-haze-fluids\"\u003eAurà™ haze fluids\u003c\/a\u003e — \u003ca href=\"\/products\/aura-essence-long-lasting-haze-fluid\"\u003eEssence\u003c\/a\u003e for persistent haze, or \u003ca href=\"\/products\/aura-whisper-fast-dissipating-haze-fluid\"\u003eWhisper\u003c\/a\u003e for subtle atmospherics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Start with 14CH or 20CH mode.\u003c\/strong\u003e The 57-channel mode is powerful but complex — 57 channels per fixture is a lot of programming for your first show. Start with 14CH to learn the fixture's behavior (zoom, tilt, color, master dimmer), then move to 20CH for more control, and graduate to 57CH when you're ready to pixel-map individual LEDs. You'll get impressive results even in basic mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Multiple fixtures multiply the impact.\u003c\/strong\u003e One SF-ST1240 is impressive. Two or more tilting in unison or alternating patterns create the large-scale visual impact that beam bars are known for. Pairs are the minimum for symmetrical stage looks. Four across upstage truss creates a dramatic back wall of light. Budget and plan for multiples if your stage design calls for beam bar effects — the format scales dramatically with quantity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Account for the fixture width on truss.\u003c\/strong\u003e At 40 inches wide, the SF-ST1240 takes up significantly more truss space than a traditional moving head (typically 12–16 inches). Plan your truss layout with clearance for the full fixture width plus the tilt arc. Two beam bars side by side need roughly 7+ feet of truss span minimum. Check that adjacent fixtures don't collide during tilt movements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Use zoom changes as a programming tool.\u003c\/strong\u003e Don't just set the zoom and forget it — the motorized zoom is DMX-controllable, which means you can program zoom transitions into your cues. Tight beams for high-energy moments, zoom open for washes during slower sections, and smooth zoom transitions between the two for dramatic reveals. The audience perceives zoom changes as a \"shift in intensity\" even though you're not changing the output level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Pixel chases through haze are show-stoppers.\u003c\/strong\u003e When you're ready for 57CH mode, the signature move is running color or intensity chases across the 12 LEDs while the fixture is zoomed tight and tilting through haze. The result is 12 individual beams sequentially firing across the room — a flowing, animated wall of light that's one of the most visually striking effects in modern stage lighting. Worth learning the programming for.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Plan power and DMX before the gig.\u003c\/strong\u003e At 500W per fixture and 57 channels in full mode, multiple SF-ST1240s add up fast. Map out your power circuits (how many fixtures per circuit at what output), DMX universes (how many fixtures per universe in your chosen channel mode), and cable runs before show day. This is a professional fixture that rewards professional planning.\u003c\/p\u003e\n\u003ch4\u003ePairs Well With\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"\/collections\/aura-haze-fluids\"\u003eAurà™ Haze Fluids\u003c\/a\u003e\u003c\/strong\u003e — Essential for beam visibility. Essence for persistent haze, Whisper for subtle atmospheric.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"\/collections\/surgefx-lighting-products\"\u003eSurgeFX Stage Lighting\u003c\/a\u003e\u003c\/strong\u003e — Browse the full lighting lineup for complementary fixtures.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"\/collections\/surgefx-fog-machines\"\u003eSurgeFX Fog Machines\u003c\/a\u003e\u003c\/strong\u003e — Dense fog for dramatic reveals and atmosphere beneath your beam effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- ============================================\n MOBILE: ACCORDION\n ============================================ --\u003e\n\u003cdiv class=\"surgefx-accordion\"\u003e\n\u003cdetails open=\"\"\u003e\n\u003csummary\u003e💡 Overview \u0026amp; Specs\u003c\/summary\u003e\n\u003cdiv class=\"accordion-content\"\u003e\n\u003ch4\u003eWhat Makes a Beam Bar Different\u003c\/h4\u003e\n\u003cp\u003eTraditional moving heads use a single light source — one beam from one point. A beam bar uses \u003cstrong\u003e12 sources in a linear array\u003c\/strong\u003e. Twelve individual beams tilting in unison create sweeping walls of light. Pixel control runs chases and gradients across the strip. Zoom switches between tight parallel beams and a smooth wide wash — two different fixtures in one.\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eSF-ST1240\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLight Source\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12 × 40W RGBW 4-in-1 LEDs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTotal Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e500W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eZoom\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5°–35° motorized\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTilt\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e220° with fine adjust\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePixel Control\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eYes — 12 LEDs individually addressable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRGBW 4-in-1, dual reflectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStrobe\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUp to 25 flashes\/sec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDMX\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e14 \/ 20 \/ 57CH modes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDMX-512, auto-run, sound\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAC 90–240V, 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~40\" × 4\" × 10.5\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~33 lbs (15 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch4\u003eApplications\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConcerts \u0026amp; Tours\u003c\/strong\u003e — Sweeping beam arrays and pixel effects\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNightclubs \u0026amp; DJ\u003c\/strong\u003e — High-energy beam shows from single positions\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTheater\u003c\/strong\u003e — Dramatic washes and programmable scenes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHouses of Worship\u003c\/strong\u003e — Beam, wash, and accent in one fixture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCorporate \u0026amp; Galas\u003c\/strong\u003e — Wide wash for ambient, tight beams for impact\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTheme Parks\u003c\/strong\u003e — Pixel sequences, continuous-duty rated\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"highlight\"\u003e\n\u003cstrong\u003eThe Bottom Line:\u003c\/strong\u003e Tight beam array, wide wash, pixel chases, high-speed strobe — one fixture, four roles. Most rigs need separate fixtures for each. The SF-ST1240 does all four.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails open=\"\"\u003e\n\u003csummary\u003e🎛️ Features \u0026amp; Control\u003c\/summary\u003e\n\u003cdiv class=\"accordion-content\"\u003e\n\u003ch4\u003ePixel Control\u003c\/h4\u003e\n\u003cp\u003eEach of 12 LEDs is \u003cstrong\u003eindependently addressable\u003c\/strong\u003e for color, intensity, and strobe. In 57CH mode, assign different colors per LED, run chases, create gradients, or isolate beams. Every LED is a separate instrument. Simpler 14CH and 20CH modes give unified bar control without complex programming.\u003c\/p\u003e\n\u003ch4\u003eMotorized Zoom: 5°–35°\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e5° tight\u003c\/strong\u003e — Twelve razor-sharp parallel beams cutting through haze\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e35° wide\u003c\/strong\u003e — Smooth, broad color wash from the full array\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMid-range\u003c\/strong\u003e — Textured washes with visible beam structure\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eZoom is \u003cstrong\u003eDMX-controllable\u003c\/strong\u003e — program transitions between beam and wash mid-show.\u003c\/p\u003e\n\u003ch4\u003eRGBW Color Mixing\u003c\/h4\u003e\n\u003cp\u003e4-color RGBW with dual reflectors. Dedicated white LED for clean, true whites. Full spectrum from saturated primaries to pastels. Smooth 0–100% linear dimming.\u003c\/p\u003e\n\u003ch4\u003eMovement \u0026amp; Strobe\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003e220° tilt\u003c\/strong\u003e — the 40\" strip format makes tilt dramatically more visual than single-source fixtures. \u003cstrong\u003eStrobe up to 25 flashes\/sec\u003c\/strong\u003e, variable speed, DMX controllable. Pixel strobe chases across 12 LEDs in 57CH mode.\u003c\/p\u003e\n\u003ch4\u003eDMX Channel Modes\u003c\/h4\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eMode\u003c\/th\u003e\n\u003cth\u003eChannels\u003c\/th\u003e\n\u003cth\u003eBest For\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e14CH\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e14\u003c\/td\u003e\n\u003ctd\u003eBasic control, simple setups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e20CH\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e20\u003c\/td\u003e\n\u003ctd\u003eEnhanced control, good balance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e57CH\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e57\u003c\/td\u003e\n\u003ctd\u003eFull pixel control, per-LED programming\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"highlight\"\u003e\n\u003cstrong\u003eStandalone Operation:\u003c\/strong\u003e Auto-run and sound-activated modes work without any DMX controller — useful for simple installs, DJ setups, or backup operation.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails open=\"\"\u003e\n\u003csummary\u003e❓ FAQ\u003c\/summary\u003e\n\u003cdiv class=\"accordion-content\"\u003e\n\u003ch4\u003eFrequently Asked Questions\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eQ: How does this compare to a traditional moving head?\u003c\/strong\u003e\u003cbr\u003eTraditional wash = single circular beam from one point. Beam bar = 12 individual beams from a 40\" wide linear source. Different visual effect entirely — walls of light, pixel chases, and broad-format coverage that single-source fixtures can't produce.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: What DMX controller do I need?\u003c\/strong\u003e\u003cbr\u003eAny DMX-512 controller works. Basic mode (14CH) = any entry-level board. Full pixel mode (57CH) = plan for the channel count, especially with multiple fixtures. Also runs standalone without any controller.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: How heavy is it?\u003c\/strong\u003e\u003cbr\u003e~33 lbs (15 kg), ~40\" wide. Use rated clamps and safety cables. Account for the full width when spacing fixtures on truss — wider footprint than standard moving heads.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: Is it noisy?\u003c\/strong\u003e\u003cbr\u003eFan-cooled — some noise. Masked by sound systems at concerts\/clubs. Audible in quiet theater or corporate moments. Position at distance if noise-sensitive.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: Can I use it without DMX?\u003c\/strong\u003e\u003cbr\u003eYes. Auto-run (built-in programs) and sound-activated (reacts to music) modes work standalone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: How many per DMX universe?\u003c\/strong\u003e\u003cbr\u003e57CH mode: up to 8 fixtures per universe. 14CH mode: up to 36. Plan universes for large pixel-controlled rigs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: Does it need haze?\u003c\/strong\u003e\u003cbr\u003eFor beam effects (tight zoom) — \u003cstrong\u003eyes, essential\u003c\/strong\u003e. Beams are only visible in the air with haze particles. For wash effects (wide zoom) — haze enhances but isn't required. Pair with \u003ca href=\"\/collections\/aura-haze-fluids\"\u003eAurà™ haze fluids\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: Power draw?\u003c\/strong\u003e\u003cbr\u003e500W max = ~4.2A at 120V. Standard 15A circuit handles 2–3 at full output. Auto-ranging 90–240V works internationally.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails open=\"\"\u003e\n\u003csummary\u003e🔧 Setup Tips\u003c\/summary\u003e\n\u003cdiv class=\"accordion-content\"\u003e\n\u003ch4\u003eGetting the Most From the SF-ST1240\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Use haze. Seriously.\u003c\/strong\u003e Beam bar without haze = wash fixture. Beam bar with haze = spectacle. Even light atmospherics transform the fixture from \"nice lights\" to \"12 beams cutting through the room.\" \u003ca href=\"\/collections\/aura-haze-fluids\"\u003eAurà™ haze fluids\u003c\/a\u003e pair perfectly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Start with 14CH mode.\u003c\/strong\u003e Learn zoom, tilt, color, and master dimmer first. Graduate to 57CH pixel control when you're ready. Impressive results even in basic mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Multiples multiply impact.\u003c\/strong\u003e One is impressive. Pairs create symmetry. Four across upstage truss = dramatic back wall of light. Budget for multiples — beam bars scale visually with quantity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Account for fixture width.\u003c\/strong\u003e 40\" wide = significantly more truss space than standard moving heads. Plan clearance for tilt arc. Two side by side need ~7+ feet of truss minimum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Program zoom changes.\u003c\/strong\u003e Don't set-and-forget zoom. Tight beams for high energy, wide wash for slow sections, smooth transitions between. Audience reads zoom changes as intensity shifts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Pixel chases through haze.\u003c\/strong\u003e The signature move: color\/intensity chases across 12 LEDs, zoomed tight, tilting through haze. Animated wall of light. Worth learning 57CH programming for.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e🎯 Plan power + DMX early.\u003c\/strong\u003e 500W per fixture and 57 channels in full mode add up fast with multiples. Map circuits, universes, and cable runs before show day.\u003c\/p\u003e\n\u003ch4\u003ePairs Well With\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"\/collections\/aura-haze-fluids\"\u003eAurà™ Haze Fluids\u003c\/a\u003e — Essential for beam visibility\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/collections\/surgefx-lighting-products\"\u003eSurgeFX Stage Lighting\u003c\/a\u003e — Complementary fixtures\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/collections\/surgefx-fog-machines\"\u003eSurgeFX Fog Machines\u003c\/a\u003e — Dense fog for dramatic reveals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"surgefx-footer\"\u003eSurgeFX SF-ST1240 — 12×40W RGBW Pixel Beam Bar Moving Head. 500W. 5°–35° Zoom. 57CH Pixel Control. DMX-512.\u003c\/div\u003e\n\u003c\/div\u003e\n","brand":"SurgeFX","offers":[{"title":"Default Title","offer_id":49469919789354,"sku":"SFX-SSM-001","price":1599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0891\/1516\/4970\/files\/sf-st1240-12x40w-strip-strobe-moving-head-light-01-hero-white-background.webp?v=1782867446"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0891\/1516\/4970\/collections\/surgefx-lighting-strobes-effect-lights-collection.webp?v=1784821080","url":"https:\/\/surgefx.com\/collections\/lighting-strobe-effect-lights.oembed","provider":"SurgeFX","version":"1.0","type":"link"}